Artist profile
Minnesota is a dubstep producer working within the genre's bass-heavy electronic landscape. Their work explores the darker, more technical dimensions of the dubstep sound.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with Minnesota tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Minnesota is a moderate-energy — mostly instrumental artist.
Unusually low energy and brightness for Dubstep.
Across 8 analysed tracks, Minnesota averages 52% energy — gentler than 91% of individual Dubstep tracks — and 44% groove, straighter than 58%.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Minnesota’s 8 analysed tracks and every track by 12,460 other artists. 72 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
18 of the 144 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 5 different Minnesota tracks.
29 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Minnesota tracks.
Desert Diamond - Esseks Remix → Deja Vu · 6B → 7B · same BPM · 87 chemistry
24 of the 184 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 6 different Minnesota tracks.
Desert Diamond - Esseks Remix → BLT · 6B → 8A · same BPM · 85 chemistry
27 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Minnesota tracks.
22 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Minnesota tracks.
25 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Minnesota tracks.
Reality → ALL I NEED · 4A → 4A · +5 BPM · 90 chemistry
19 of the 232 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 6 different Minnesota tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Minnesota by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Minnesota, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Minnesota's tracks in our catalog range from 70 to 145 BPM, with a median of 133 BPM. Across 8 tracks, the most common range falls in the 135–140 BPM bucket.
Minnesota's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 7B (F Major) with 2 tracks.
We scored every transition between Minnesota's 8 analysed tracks and every track by 12,460 other artists. 72 catalogues clear the bar by more than chance would give, and Bommer, Caspa, Chibs are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: HiLow into Whiplash, 7B to 8A, 84 chemistry.
Minnesota sits closest to LSDREAM, Of The Trees, Mersiv in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Minnesota releases spanning 2017 to 2021, with the most tracks from the 2010s.
