Artist profile
Mike Ivy is a tech house producer working within contemporary electronic music. His sound explores the intersection of rhythmic precision and textural depth characteristic of the tech house genre.
Compare with another artistPlan a set with Mike Ivy tracks scored against the rest of the catalog
Mike Ivy is a high-energy with strong groove and drive and a bright production — vocal-forward artist.
Unusually high brightness for Tech House.
Across 8 analysed tracks, Mike Ivy averages 60% groove — straighter than 82% of individual Tech House tracks — and 60% energy, harder than 56%.
Measured against 25,372 Tech House tracks on 11 August 2026.
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We scored every transition between Mike Ivy’s 8 analysed tracks and every track by 12,460 other artists. 385 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 224 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 6 different Mike Ivy tracks.
Get Up (Everybody) → Stomper · 8A → 8A · +1 BPM · 90 chemistry
33 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Mike Ivy tracks.
Found Muzik → The Community · 7A → 7A · +2 BPM · 89 chemistry
30 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Mike Ivy tracks.
Found Muzik → I Feel Like · 7A → 7B · same BPM · 87 chemistry
29 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Mike Ivy tracks.
28 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different Mike Ivy tracks.
Get Up (Everybody) → DO IT NOW · 8A → 7B · +1 BPM · 86 chemistry
30 of the 248 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 4 different Mike Ivy tracks.
Found Muzik → I'm Not Alone · 7A → 8A · same BPM · 91 chemistry
29 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Mike Ivy tracks.
Get On → Tipys And Tipys · 8A → 8A · +3 BPM · 90 chemistry
26 of the 168 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 6 different Mike Ivy tracks.
Get On → Control Your Body · 8A → 8A · +1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mike Ivy by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mike Ivy, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mike Ivy's tracks in our catalog all sit around 124 BPM.
Mike Ivy's tracks are mostly in minor keys (88% minor across 8 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between Mike Ivy's 8 analysed tracks and every track by 12,460 other artists. 385 catalogues clear the bar by more than chance would give, and Amine Edge & DANCE, Aney F., Bizen Lopez are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Get Up (Everybody) into Stomper, 8A to 8A, 90 chemistry.
Mike Ivy sits closest to Ben Remember, Tuff London, Adrian Hour in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.