Artist profile
Max Graef is a deep house producer and DJ known for his contributions to the genre's contemporary landscape. His work emphasizes refined production and a focus on dancefloor-oriented sound design within the deep house idiom.
Compare with another artistPlan a set with Max Graef tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Max Graef is a restrained with strong groove — mostly instrumental artist.
Unusually low groove for Deep House.
Across 12 analysed tracks, Max Graef averages 65% groove — straighter than 87% of individual Deep House tracks — and 38% energy, gentler than 81%.
Measured against 22,124 Deep House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Max Graef’s 12 analysed tracks and every track by 12,460 other artists. 123 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
24 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 4 different Max Graef tracks.
26 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 3 different Max Graef tracks.
Tertylerd → Pipe Dream · 7A → 7A · −2 BPM · 90 chemistry
25 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 5 different Max Graef tracks.
Tittenkuschler → Lost Messages · 7A → 8A · same BPM · 89 chemistry
27 of the 384 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 3 different Max Graef tracks.
29 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 4 different Max Graef tracks.
Tertylerd → Jazz Session · 7A → 7A · same BPM · 91 chemistry
27 of the 384 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 4 different Max Graef tracks.
24 of the 300 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 3 different Max Graef tracks.
Tertylerd → Silence Is Sound feat. ISSA (US) · 7A → 7A · −1 BPM · 90 chemistry
31 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 5 different Max Graef tracks.
Tittenkuschler → Between Worlds · 7A → 7A · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Max Graef by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Max Graef, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Max Graef's tracks in our catalog range from 91 to 133 BPM, with a median of 115 BPM. Across 12 tracks, the most common range falls in the 115–120 BPM bucket.
Max Graef's tracks are mostly in minor keys (75% minor across 12 tracks). The most common single key is 7A (D Minor) with 3 tracks.
We scored every transition between Max Graef's 12 analysed tracks and every track by 12,460 other artists. 123 catalogues clear the bar by more than chance would give, and Franck Roger, Jimpster, Miguel Migs are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Tertylerd into Elevate, 7A to 7A, 90 chemistry.
Max Graef sits closest to Duke Hugh, Hidden Spheres, Black Loops in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
