Artist profile
Matsu is a bass house producer working within electronic music's heavier, groove-oriented territories. Their work emphasizes deep low-end design and rhythmic intensity characteristic of the bass house sound.
Plan a set with Matsu tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Matsu is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical Bass House pocket.
Across 13 analysed tracks, Matsu averages 79% groove — groovier than 62% of individual Bass House tracks — and 58% energy, gentler than 56%.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Matsu’s 13 analysed tracks and every track by 12,460 other artists. 252 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
29 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 4 different Matsu tracks.
Ain't No Maybe → Don't Be Long · 7A → 8A · same BPM · 90 chemistry
27 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 3 different Matsu tracks.
Ain't No Maybe → Chicago House music · 7A → 7A · +2 BPM · 90 chemistry
22 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different Matsu tracks.
Everyday → Right on Time · 7A → 8A · +1 BPM · 91 chemistry
27 of the 507 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 7 different Matsu tracks.
Never Felt Before → Social Approbation · 9A → 8B · same BPM · 87 chemistry
22 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 3 different Matsu tracks.
Ain't No Maybe → Da Revolution · 7A → 6B · +3 BPM · 88 chemistry
24 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Matsu tracks.
Automatic → No Bite - Extended Mix · 6A → 4B · same BPM · 86 chemistry
23 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 7 different Matsu tracks.
Ain't No Maybe → A Little Bit More - Michel De Hey Version · 7A → 6B · +1 BPM · 88 chemistry
32 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different Matsu tracks.
Ain't No Maybe → Cooling Aid · 7A → 6A · +1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Matsu by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Matsu, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Matsu's tracks in our catalog range from 70 to 140 BPM, with a median of 126 BPM. Across 13 tracks, the most common range falls in the 125–130 BPM bucket.
Matsu's tracks are mostly in minor keys (69% minor across 13 tracks). The most common single key is 7A (D Minor) with 3 tracks.
We scored every transition between Matsu's 13 analysed tracks and every track by 12,460 other artists. 252 catalogues clear the bar by more than chance would give, and Daniel Steinberg, DJ Sneak, Hector Couto are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Ain't No Maybe into Don't Be Long, 7A to 8A, 90 chemistry.
Matsu sits closest to 3ktrack, Madi Summington, Heyitsvoid in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
