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Artist profile

Martin Matiske

Electro (Classic / Detroit / Modern) producer and DJ.

6 tracksElectro (Classic / Detroit / Modern)
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Album artwork via Spotify® and Beatport

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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Martin Matiske is a restrained with strong groove and a bright production artist.

This artistTypical Electro (Classic / Detroit / Modern)
Signature sound

Higher groove but lower energy than typical Electro (Classic / Detroit / Modern).

↑groove↓energy↓drive
How this compares to Electro (Classic / Detroit / Modern)

Across 6 analysed tracks, Martin Matiske averages 28% energy — gentler than 96% of individual Electro (Classic / Detroit / Modern) tracks — and 81% groove, groovier than 93%.

Measured against 4,563 Electro (Classic / Detroit / Modern) tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 124–130 BPM with a median of 129 · predominantly minor keys (83% minor) · most common key: 8A (A Minor) with 2 tracks.

BPM spread
120–124
1
125–129
3
130–134
2
Key distribution
1A1B2A2B3A3B4A4B5A25B6A6B7A7B18A28B9A19B10A10B11A11B12A12B

Tracks in catalog

6 total · sortable
Shape album art
Shape
Martin Matiske
124 BPM · 8A · Electro (Classic / Detroit / Modern) · 26% Warm-up
Electro (Classic / Detroit / Modern)
124
8A · A min
26%Warm-up
—
Digital Emotion album art
Digital Emotion
Martin Matiske
128 BPM · 7B · Indie Dance · 18% Warm-up
Indie Dance
128
7B · F maj
18%Warm-up
—
Cuore album art
Cuore
Martin Matiske
125 BPM · 9A · Indie Dance · 28% Warm-up
Indie Dance
125
9A · E min
28%Warm-up
—
Moments album art
Moments
Martin Matiske
129 BPM · 5A · Electro (Classic / Detroit / Modern) · 36% Sustainer
Electro (Classic / Detroit / Modern)
129
5A · C min
36%Sustainer
—
Microbot album art
Microbot
Martin Matiske
130 BPM · 5A · Electro (Classic / Detroit / Modern) · 28% Warm-up
Electro (Classic / Detroit / Modern)
130
5A · C min
28%Warm-up
—
Lost in Space album art
Lost in Space
Martin Matiske
130 BPM · 8A · Electro (Classic / Detroit / Modern) · 33% Warm-up
Electro (Classic / Detroit / Modern)
130
8A · A min
33%Warm-up
—

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Related artists

Top 15 by similarity

DJs and producers closest to Martin Matiske by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Martin Matiske, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Mick Wills
100%
Not in our catalog yet
Herman Schwartz
66%
Not in our catalog yet
Jor-el
51%
6 tracks in catalog · Techno (Raw / Deep / Hypnotic)
Linda Lamb
43%
Not in our catalog yet
Romina Cohn
39%
4 tracks in catalog · Indie Dance
Chris Korda
35%
4 tracks in catalog · Deep House
Savas Pascalidis
35%
9 tracks in catalog · Techno (Raw / Deep / Hypnotic)
DJ Naughty
34%
4 tracks in catalog · Bass / Club
Plastique De Reve
32%
Not in our catalog yet
Kiko & Ginos
28%
Not in our catalog yet
Saturn V
27%
Not in our catalog yet
Diddy & Felix Da Housecat
26%
Not in our catalog yet
Uhu
25%
4 tracks in catalog · Dance
Richard Bartz
25%
Not in our catalog yet
Adriano Canzian
22%
Not in our catalog yet

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Martin Matiske play at?+

Martin Matiske's tracks in our catalog range from 124 to 130 BPM, with a median of 129 BPM. Across 6 tracks, the most common range falls in the 130–135 BPM bucket.

What key are Martin Matiske's tracks in?+

Martin Matiske's tracks are mostly in minor keys (83% minor across 6 tracks). The most common single key is 8A (A Minor) with 2 tracks.

Which artists share an audience with Martin Matiske?+

Martin Matiske sits closest to Mick Wills, Herman Schwartz, Jor-el in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.