Artist profile
Martin Badder is a breaks and UK bass producer working within the breakbeat continuum. His work explores fractured rhythms and low-end textures characteristic of the broader bass music landscape.
Compare with another artistPlan a set with Martin Badder tracks scored against the rest of the catalog
Martin Badder is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical House pocket.
Across 29 analysed tracks, Martin Badder averages 65% groove — straighter than 83% of individual House tracks — and 65% energy, harder than 76%.
Measured against 20,959 House tracks on 11 August 2026.
Most tracks sit between 84–143 BPM with a median of 126 · predominantly minor keys (76% minor) · most common key: 8A (A Minor) with 5 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Martin Badder’s 29 analysed tracks and every track by 12,460 other artists. 1,493 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
74 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 11 different Martin Badder tracks.
Dancing By Myself - Extended Mix → Down to The Top - Cotterell Remix · 6A → 5A · −1 BPM · 90 chemistry
107 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 11 different Martin Badder tracks.
When the Hurt Is Over - Extended Mix → Twlight · 8A → 8A · same BPM · 93 chemistry
67 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 12 different Martin Badder tracks.
When the Hurt Is Over - Extended Mix → INTO THE GROOVE · 8A → 7A · same BPM · 91 chemistry
67 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 9 different Martin Badder tracks.
When the Hurt Is Over - Extended Mix → Yuh Chat Too Much · 8A → 8A · +1 BPM · 91 chemistry
66 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 12 different Martin Badder tracks.
68 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 14 different Martin Badder tracks.
See It Through My Eyes - Extended Mix → Work In Progress - Radio Mix · 9A → 8B · same BPM · 92 chemistry
76 of the 1,160 transitions between these catalogues reach 80 chemistry. Chance would give 6.7. They come from 14 different Martin Badder tracks.
See It Through My Eyes - Extended Mix → Fallin' · 9A → 9A · same BPM · 90 chemistry
67 of the 1,015 transitions between these catalogues reach 80 chemistry. Chance would give 5.8. They come from 12 different Martin Badder tracks.
I Go Get It - Extended Mix → Sexy Funk '98 · 9A → 10A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Martin Badder by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Martin Badder, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Martin Badder's tracks in our catalog range from 84 to 143 BPM, with a median of 126 BPM. Across 29 tracks, the most common range falls in the 125–130 BPM bucket.
Martin Badder's tracks are mostly in minor keys (76% minor across 29 tracks). The most common single key is 8A (A Minor) with 5 tracks.
We scored every transition between Martin Badder's 29 analysed tracks and every track by 12,460 other artists. 1,493 catalogues clear the bar by more than chance would give, and CEV's, Daniel Steinberg, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dancing By Myself - Extended Mix into Down to The Top - Cotterell Remix, 6A to 5A, 90 chemistry.
Martin Badder sits closest to Sammy Porter, Trutopia, Just Her in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Martin Badder releases spanning 2018 to 2022, with the most tracks from the 2020s.