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Artist profile

Martha Wash

House producer and DJ.

6 tracksHouse· 1992–2013
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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Martha Wash is a moderate-energy with strong groove and drive and a balanced bright/warm production artist.

This artistTypical House
Signature sound

Sits right in the typical House pocket.

How this compares to House

Across 6 analysed tracks, Martha Wash averages 76% groove — straighter than 66% of individual House tracks — and 48% energy, gentler than 57%.

Measured against 20,959 House tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 118–140 BPM with a median of 128 · predominantly minor keys (100% minor) · most common key: 4A (F Minor) with 2 tracks.

BPM spread
115–119
1
120–124
1
125–129
3
140–144
1
Key distribution
1A1B2A12B3A3B4A24B5A5B6A16B7A17B8A8B9A19B10A10B11A11B12A12B

Release volume by decade

3
1990s
2
2010s

Tracks in catalog

6 total · sortable
Carry On album art
Carry On
Martha Wash
127 BPM · 9A · Nu Disco / Disco · 34% Warm-up
Nu Disco / Disco
127
9A · E min
34%Warm-up
1992
Takin' Over album art
Takin' Over
Martha Wash, C+C Music Factory
121 BPM · 4A · House · 33% Warm-up
House
121
4A · F min
33%Warm-up
1996
Leave A Light On album art
Leave A Light On
Martha Wash
118 BPM · 6A · House · 39% Sustainer
House
118
6A · G min
39%Sustainer
1992
Catch The Light - Extended Mix album art
Catch The Light - Extended Mix
Martha Wash, Pink Panda
140 BPM · 2A · Dance · 91% Peak time
Dance
140
2A · E♭ min
91%Peak time
—
I'm Not Coming Down (Alex Acosta Tribalismo Mix) album art
I'm Not Coming Down (Alex Acosta Tribalismo Mix)
Martha Wash
129 BPM · 7A · House · 55% Sustainer
House
129
7A · D min
55%Sustainer
2013
I'm Not Coming Down (Rosabel Dub) album art
I'm Not Coming Down (Rosabel Dub)
Martha Wash
128 BPM · 4A · Dance · 36% Sustainer
Dance
128
4A · F min
36%Sustainer
2013

Missing one of theirs?

We'll add it — the artist is already in the catalogue, so it lands fast

Related artists

Top 15 by similarity

DJs and producers closest to Martha Wash by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Martha Wash, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Ultra Nate
100%
26 tracks in catalog · House
Lonnie Gordon
86%
Not in our catalog yet
Barbara Tucker
75%
29 tracks in catalog · House
Deborah Cox
68%
1 track in catalog · Tech House · no artist page yet
Debbie Gibson
56%
1 track in catalog · Pop · no artist page yet
Ce Ce Peniston
51%
Not in our catalog yet
Alison Limerick
51%
4 tracks in catalog · Dance
Crystal Waters
47%
14 tracks in catalog · House
Cathy Dennis
46%
Not in our catalog yet
Jamelia
41%
1 track in catalog · R&B · no artist page yet
Black Box
40%
7 tracks in catalog · Dance
C+c Music Factory
39%
Not in our catalog yet
Paula Abdul
34%
Not in our catalog yet
Dina Carroll
33%
Not in our catalog yet
Kim English
32%
17 tracks in catalog · House

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Martha Wash play at?+

Martha Wash's tracks in our catalog range from 118 to 140 BPM, with a median of 128 BPM. Across 6 tracks, the most common range falls in the 130–135 BPM bucket.

What key are Martha Wash's tracks in?+

Martha Wash's tracks are mostly in minor keys (100% minor across 6 tracks). The most common single key is 4A (F Minor) with 2 tracks.

Which artists share an audience with Martha Wash?+

Martha Wash sits closest to Ultra Nate, Lonnie Gordon, Barbara Tucker in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.

When was Martha Wash most active?+

Our catalog has Martha Wash releases spanning 1992 to 2013, with the most tracks from the 1990s.