Artist profile
Mark The Beast is a dubstep producer working within the darker, bass-heavy spectrum of the genre. His sound emphasizes heavy wobble synthesis and aggressive sound design typical of contemporary dubstep production.
Compare with another artistPlan a set with Mark The Beast tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mark The Beast is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 10 analysed tracks, Mark The Beast averages 67% energy — harder than 59% of individual Dubstep tracks.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mark The Beast’s 10 analysed tracks and every track by 12,460 other artists. 141 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Mark The Beast tracks.
31 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different Mark The Beast tracks.
Devil on My Shoulder feat. Rexex → Wait For Me · 10A → 9A · +1 BPM · 88 chemistry
36 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Mark The Beast tracks.
Devil on My Shoulder feat. Rexex → Command Execution · 10A → 9A · +1 BPM · 90 chemistry
28 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Mark The Beast tracks.
Devil on My Shoulder feat. Rexex → They Don't Want It · 10A → 9A · −1 BPM · 89 chemistry
28 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Mark The Beast tracks.
Devil on My Shoulder feat. Rexex → Break In · 10A → 9A · +1 BPM · 88 chemistry
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Mark The Beast tracks.
Breathe (feat Niks) → FOULMOUTH · 12B → 12B · same BPM · 88 chemistry
27 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Mark The Beast tracks.
Devil on My Shoulder feat. Rexex → Ultima · 10A → 9A · +1 BPM · 88 chemistry
29 of the 370 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Mark The Beast tracks.
Breathe (feat Niks) → DEATHTOUCH · 12B → 12B · −9 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark The Beast by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark The Beast, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark The Beast's tracks in our catalog range from 130 to 160 BPM, with a median of 148 BPM. Across 10 tracks, the most common range falls in the 150–155 BPM bucket.
Mark The Beast's tracks are mostly in minor keys (60% minor across 10 tracks). The most common single key is 1A (A♭ Minor) with 3 tracks.
We scored every transition between Mark The Beast's 10 analysed tracks and every track by 12,460 other artists. 141 catalogues clear the bar by more than chance would give, and Aweminus, Chime, Dr. Ozi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Ghost into Nu Anger, 7B to 7A, 87 chemistry.
Mark The Beast sits closest to Exclusion, Synymata, Ben Walter in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mark The Beast releases spanning 2015 to 2018, with the most tracks from the 2010s.
