Artist profile
Mark Ronson is a British music producer and DJ known for his work in dance and electronic music production. His career spans collaborations across pop, hip-hop, and dance genres, with a focus on remix and production work that blends vintage and contemporary sounds.
Compare with another artistPlan a set with Mark Ronson tracks scored against the rest of the catalog
Mark Ronson is a moderate-energy with strong groove and a warm production — mostly instrumental artist.
Sits right in the typical Dance pocket.
Across 14 analysed tracks, Mark Ronson averages 45% energy — gentler than 85% of individual Dance tracks — and 62% groove, straighter than 72%.
Measured against 14,418 Dance tracks on 11 August 2026.
Most tracks sit between 75–125 BPM with a median of 113 · predominantly minor keys (79% minor) · most common key: 7A (D Minor) with 3 tracks.
How Mark Ronson’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dance tempo.
Across Mark Ronson's catalog, tempos have climbed from ~98 to ~121 BPM; production has brightened; warmth has receded.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mark Ronson’s 14 analysed tracks and every track by 12,460 other artists. 1 catalogue clears the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 1 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 154 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 4 different Mark Ronson tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark Ronson by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark Ronson, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark Ronson's tracks in our catalog range from 75 to 125 BPM, with a median of 113 BPM. Across 14 tracks, the most common range falls in the 115–120 BPM bucket.
Mark Ronson's tracks are mostly in minor keys (79% minor across 14 tracks). The most common single key is 7A (D Minor) with 3 tracks.
We scored every transition between Mark Ronson's 14 analysed tracks and every track by 12,460 other artists. 1 catalogue clears the bar by more than chance would give, and GADJ are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page.
Mark Ronson sits closest to Mark Ronson & The Business Intl, Gnarls Barkley, Clean Bandit in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mark Ronson releases spanning 2006 to 2019, with the most tracks from the 2010s.