Artist profile
Marc Spence is a producer working in breakbeat and UK bass, crafting rhythmically complex tracks rooted in breaks culture. His work emphasizes intricate percussion layering and low-end design characteristic of the broader UK bass underground.
Compare with another artistPlan a set with Marc Spence tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Marc Spence is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Tech House pocket.
Across 17 analysed tracks, Marc Spence averages 71% groove — straighter than 65% of individual Tech House tracks — and 52% energy, gentler than 64%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Marc Spence’s 17 analysed tracks and every track by 12,460 other artists. 1,085 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
54 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Marc Spence tracks.
Gets High - Extended Mix → Slaves of the Rhythm · 9B → 9B · −1 BPM · 92 chemistry
60 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Marc Spence tracks.
Time & Place (aMo (um) Remix) → Saint · 6A → 6A · same BPM · 88 chemistry
55 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different Marc Spence tracks.
They Wanna → Basics - Extended Mix · 10B → 11B · +1 BPM · 87 chemistry
58 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Marc Spence tracks.
Time & Place (aMo (um) Remix) → Your Mind · 6A → 6A · +2 BPM · 88 chemistry
52 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Marc Spence tracks.
Panajama - Extended Mix → Paraiso · 8A → 8A · same BPM · 90 chemistry
55 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Marc Spence tracks.
Panajama - Extended Mix → Whos Back · 8A → 8A · −1 BPM · 91 chemistry
57 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different Marc Spence tracks.
They Wanna → Outta Sight · 10B → 10B · +2 BPM · 88 chemistry
52 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different Marc Spence tracks.
Gets High - Extended Mix → Space · 9B → 9B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Marc Spence by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Marc Spence, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Marc Spence's tracks in our catalog range from 65 to 140 BPM, with a median of 126 BPM. Across 17 tracks, the most common range falls in the 125–130 BPM bucket.
Marc Spence's tracks are mostly in minor keys (65% minor across 17 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between Marc Spence's 17 analysed tracks and every track by 12,460 other artists. 1,085 catalogues clear the bar by more than chance would give, and Andre Salmon, Arkady Antsyrev, Christian Burkhardt are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Gets High - Extended Mix into Slaves of the Rhythm, 9B to 9B, 92 chemistry.
Marc Spence sits closest to G-Buck, partywithray, Ben Sterling in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Marc Spence releases spanning 2016 to 2017, with the most tracks from the 2010s.
