Artist profile
MANIK is a New York-based producer working in trap and future bass. Their work blends heavy percussion with atmospheric textures characteristic of contemporary electronic music.
DJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with MANIK (NYC) tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
MANIK (NYC) is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Deep House pocket.
Across 11 analysed tracks, MANIK (NYC) averages 78% groove — straighter than 70% of individual Deep House tracks — and 48% energy, harder than 60%.
Measured against 22,124 Deep House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between MANIK (NYC)’s 11 analysed tracks and every track by 12,460 other artists. 606 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
51 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different MANIK (NYC) tracks.
People Of Rhythm → Studio C · 8A → 8A · same BPM · 91 chemistry
45 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 6 different MANIK (NYC) tracks.
Far Away feat. Eli & Fur → Mental Dog · 5A → 5A · −2 BPM · 91 chemistry
39 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different MANIK (NYC) tracks.
That Hustle → Come On - Bounce To This Mix · 8A → 8A · +2 BPM · 92 chemistry
46 of the 352 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 7 different MANIK (NYC) tracks.
Keep That Fresh → Sideways · 3B → 3B · same BPM · 90 chemistry
51 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different MANIK (NYC) tracks.
Basement → Deeper Frequencies · 11A → 11A · same BPM · 91 chemistry
37 of the 275 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 7 different MANIK (NYC) tracks.
That Hustle → I Got You · 8A → 7B · same BPM · 91 chemistry
39 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different MANIK (NYC) tracks.
That Hustle → Sliver · 8A → 8A · same BPM · 91 chemistry
44 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 8 different MANIK (NYC) tracks.
Far Away feat. Eli & Fur → Lovin' - Demolition Dub Mix · 5A → 5A · −2 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to MANIK (NYC) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around MANIK (NYC), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
MANIK (NYC)'s tracks in our catalog range from 86 to 126 BPM, with a median of 122 BPM. Across 11 tracks, the most common range falls in the 120–125 BPM bucket.
MANIK (NYC)'s tracks are mostly in minor keys (82% minor across 11 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between MANIK (NYC)'s 11 analysed tracks and every track by 12,460 other artists. 606 catalogues clear the bar by more than chance would give, and Fred Everything, Luis Radio, Miguel Migs are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: People Of Rhythm into Studio C, 8A to 8A, 91 chemistry.
MANIK (NYC) sits closest to Nico Lahs, Martin Dawson, Laura Jones in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
