Artist profile
Mandidextrous is a drum and bass producer known for work within the genre's technical and rhythmic traditions. The artist maintains an active presence in the drum and bass community through consistent releases and contributions to the scene.
Compare with another artistPlan a set with Mandidextrous tracks scored against the rest of the catalog
Mandidextrous is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 23 analysed tracks, Mandidextrous averages 54% groove — groovier than 83% of individual Drum & Bass tracks — and 63% energy, harder than 58%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mandidextrous’s 23 analysed tracks and every track by 12,460 other artists. 753 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
145 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 20 different Mandidextrous tracks.
Fred Spookie → Warmed Up · 3A → 3A · same BPM · 89 chemistry
136 of the 897 transitions between these catalogues reach 80 chemistry. Chance would give 5.1. They come from 20 different Mandidextrous tracks.
Fred Spookie → Troglodyte · 3A → 4A · same BPM · 89 chemistry
161 of the 897 transitions between these catalogues reach 80 chemistry. Chance would give 5.1. They come from 21 different Mandidextrous tracks.
Every Night → Everyone · 9B → 9B · −1 BPM · 92 chemistry
152 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 20 different Mandidextrous tracks.
Fred Spookie → Reckless · 3A → 3A · +1 BPM · 91 chemistry
141 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 20 different Mandidextrous tracks.
Fred Spookie → Zombies · 3A → 4A · same BPM · 91 chemistry
136 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 20 different Mandidextrous tracks.
The Underneath → Vicious · 4A → 4A · −1 BPM · 90 chemistry
141 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 19 different Mandidextrous tracks.
Fred Spookie → Grimm · 3A → 4A · same BPM · 92 chemistry
169 of the 897 transitions between these catalogues reach 80 chemistry. Chance would give 5.1. They come from 20 different Mandidextrous tracks.
Fred Spookie → Hypercube · 3A → 4A · same BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mandidextrous by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mandidextrous, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mandidextrous's tracks in our catalog range from 85 to 184 BPM, with a median of 87 BPM. Across 23 tracks, the most common range falls in the 85–90 BPM bucket.
Mandidextrous's tracks are mostly in major keys (35% minor across 23 tracks). The most common single key is 9B (G Major) with 5 tracks.
We scored every transition between Mandidextrous's 23 analysed tracks and every track by 12,460 other artists. 753 catalogues clear the bar by more than chance would give, and Amplify, Culture Shock, L Plus are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Fred Spookie into Warmed Up, 3A to 3A, 89 chemistry.
Mandidextrous sits closest to A.M.C, Lee Mvtthews, Disrupta in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Mandidextrous releases spanning 2021 to 2025, with the most tracks from the 2020s.