Artist profile
Majestic Noise is a breakbeat and UK bass producer working across fractured rhythms and bass-heavy soundscapes. The project channels the energy of breaks culture through layered, intricate percussion and deep low-end design.
Plan a set with Majestic Noise tracks scored against the rest of the catalog
Majestic Noise is a high-energy and a balanced bright/warm production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 10 analysed tracks, Majestic Noise averages 61% energy — harder than 74% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Majestic Noise’s 10 analysed tracks and every track by 12,460 other artists. 178 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
74 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Majestic Noise tracks.
Shadows → Take It To My Way · 5A → 5A · −1 BPM · 93 chemistry
63 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Majestic Noise tracks.
No Blame → Revelation · 6A → 6A · same BPM · 91 chemistry
51 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Majestic Noise tracks.
Sun Goes Down → Guachinche · 6A → 6A · −3 BPM · 90 chemistry
52 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Majestic Noise tracks.
Sun Goes Down → Vibes · 6A → 6A · −1 BPM · 89 chemistry
54 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Majestic Noise tracks.
Sun Goes Down → Inerzia · 6A → 7A · +1 BPM · 90 chemistry
57 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Majestic Noise tracks.
Sun Goes Down → Stay Focussed · 6A → 6A · +2 BPM · 89 chemistry
53 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Majestic Noise tracks.
Shadows → Three Tattoos · 5A → 5A · −3 BPM · 89 chemistry
55 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Majestic Noise tracks.
No Blame → Gamewars - Sekret Chadow Remix · 6A → 6A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Majestic Noise by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Majestic Noise, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Majestic Noise's tracks in our catalog range from 130 to 133 BPM, with a median of 132 BPM. Across 10 tracks, the most common range falls in the 130–135 BPM bucket.
Majestic Noise's tracks are mostly in minor keys (70% minor across 10 tracks). The most common single key is 6A (G Minor) with 2 tracks.
We scored every transition between Majestic Noise's 10 analysed tracks and every track by 12,460 other artists. 178 catalogues clear the bar by more than chance would give, and Digital Base, DJ Hero, Mutantbreakz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Shadows into Take It To My Way, 5A to 5A, 93 chemistry.
Majestic Noise sits closest to GreenFlamez, Guau, Basstyler in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.