Artist profile
m.a.m.i. is a drum and bass producer working within the genre's electronic and percussive landscape. Their work engages with the fast-breakbeat traditions central to drum and bass composition.
Compare with another artistPlan a set with m.a.m.i. tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
m.a.m.i. is a high-energy with strong drive and a warm production artist.
Higher drive but lower brightness than typical Drum & Bass.
Across 8 analysed tracks, m.a.m.i. averages 66% energy — harder than 68% of individual Drum & Bass tracks — and 45% groove, groovier than 61%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
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We scored every transition between m.a.m.i.’s 8 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 3 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
12 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different m.a.m.i. tracks.
Brain Damage → Part Of The Beautiful · 6B → 7B · −1 BPM · 88 chemistry
12 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different m.a.m.i. tracks.
Brain Damage → Vibrate · 6B → 6A · +1 BPM · 88 chemistry
10 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different m.a.m.i. tracks.
Lost in Sound → Tanzany · 5B → 4B · +1 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to m.a.m.i. by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around m.a.m.i., then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
m.a.m.i.'s tracks in our catalog range from 87 to 128 BPM, with a median of 124 BPM. Across 8 tracks, the most common range falls in the 125–130 BPM bucket.
m.a.m.i.'s tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 4A (F Minor) with 2 tracks.
We scored every transition between m.a.m.i.'s 8 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar by more than chance would give, and Cuartero, Fox, Morttagua are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Brain Damage into Part Of The Beautiful, 6B to 7B, 88 chemistry.
m.a.m.i. sits closest to 米倉千尋, 茶太, Miura Jam in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
