Artist profile
Techno (Peak Time / Driving) producer and DJ.
Compare with another artistPlan a set with Lutzenkirchen tracks scored against the rest of the catalog
Lutzenkirchen is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 17 analysed tracks, Lutzenkirchen averages 60% groove — straighter than 66% of individual Techno (Peak Time / Driving) tracks.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
How Lutzenkirchen’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Lutzenkirchen's catalog, production has darkened; warmth has receded; groove has thinned.

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We scored every transition between Lutzenkirchen’s 17 analysed tracks and every track by 12,460 other artists. 348 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
31 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 8 different Lutzenkirchen tracks.
Body Nation → No Scape · 7B → 8A · −1 BPM · 91 chemistry
30 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Lutzenkirchen tracks.
Body Nation → K374 · 7B → 7A · −2 BPM · 90 chemistry
40 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 7 different Lutzenkirchen tracks.
Body Nation → Midi · 7B → 8A · −2 BPM · 89 chemistry
42 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 6 different Lutzenkirchen tracks.
Body Nation → Inception · 7B → 7B · −2 BPM · 89 chemistry
30 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 8 different Lutzenkirchen tracks.
All That Jazz - Popof Remix 01 → Acid Lemon · 11B → 11B · same BPM · 91 chemistry
36 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 9 different Lutzenkirchen tracks.
Right Here → So You Want It · 11A → 10B · +2 BPM · 91 chemistry
34 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Lutzenkirchen tracks.
Body Nation → Sides · 7B → 7B · same BPM · 88 chemistry
36 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 8 different Lutzenkirchen tracks.
Right Here → Fly · 11A → 11A · −1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Lutzenkirchen by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Lutzenkirchen, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Lutzenkirchen's tracks in our catalog range from 125 to 142 BPM, with a median of 127 BPM. Across 17 tracks, the most common range falls in the 125–130 BPM bucket.
Lutzenkirchen's tracks are mostly in minor keys (53% minor across 17 tracks). The most common single key is 5A (C Minor) with 3 tracks.
We scored every transition between Lutzenkirchen's 17 analysed tracks and every track by 12,460 other artists. 348 catalogues clear the bar by more than chance would give, and Daniel Sbert, dubspeeka, Julian Jeweil are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Body Nation into No Scape, 7B to 8A, 91 chemistry.
Lutzenkirchen sits closest to Micky Monzza & Joseph Disco, Marascia & Dusty Kid, Lucio Aquilina in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Lutzenkirchen releases spanning 2005 to 2017, with the most tracks from the 2000s.