Artist profile
Lost Frequencies is a Belgian electronic music producer and DJ known for dance and house music. His work spans melodic house, tropical house, and pop-influenced electronic production, with a catalog developed over the past decade.
Compare with another artistPlan a set with Lost Frequencies tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Lost Frequencies is a high-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Dance pocket.
Across 32 analysed tracks, Lost Frequencies averages 60% energy — harder than 66% of individual Dance tracks.
Measured against 14,418 Dance tracks on 11 August 2026.
Most tracks sit between 78–140 BPM with a median of 124 · predominantly minor keys (78% minor) · most common key: 4A (F Minor) with 6 tracks.
How Lost Frequencies’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dance tempo.
Across Lost Frequencies's catalog, energy has lifted; vocal content has increased.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Lost Frequencies’s 32 analysed tracks and every track by 12,460 other artists. 519 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
58 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 15 different Lost Frequencies tracks.
Dive - Extended Mix → Side Effect (feat. Au/Ra) · 4A → 3A · +1 BPM · 92 chemistry
46 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 18 different Lost Frequencies tracks.
Dive - Extended Mix → Dumb Things - Extended Mix · 4A → 4A · −1 BPM · 91 chemistry
44 of the 736 transitions between these catalogues reach 80 chemistry. Chance would give 4.2. They come from 15 different Lost Frequencies tracks.
You feat. Flynn - Honey & Badger Extended Remix → Brand New (feat. your friend polly) · 4A → 3A · same BPM · 90 chemistry
45 of the 992 transitions between these catalogues reach 80 chemistry. Chance would give 5.7. They come from 16 different Lost Frequencies tracks.
Beat Of My Heart feat. Love Harder - Deluxe Extended Edit → Dance Around It - Extended · 2A → 2A · −1 BPM · 91 chemistry
43 of the 416 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 15 different Lost Frequencies tracks.
Sun Is Shining - Extended Mix → Body - Short Edit · 3B → 4B · same BPM · 91 chemistry
42 of the 736 transitions between these catalogues reach 80 chemistry. Chance would give 4.2. They come from 12 different Lost Frequencies tracks.
Dive - Extended Mix → Wild Night feat. Hannah Boleyn - Extended Mix · 4A → 4A · same BPM · 91 chemistry
51 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 20 different Lost Frequencies tracks.
Sun Is Shining - Extended Mix → My Love 4 U - Extended Mix · 3B → 4A · +1 BPM · 91 chemistry
49 of the 1,056 transitions between these catalogues reach 80 chemistry. Chance would give 6.1. They come from 17 different Lost Frequencies tracks.
Dive - Extended Mix → Vazilando - Extended Mix · 4A → 4A · +1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Lost Frequencies by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Lost Frequencies, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Lost Frequencies's tracks in our catalog range from 78 to 140 BPM, with a median of 124 BPM. Across 32 tracks, the most common range falls in the 125–130 BPM bucket.
Lost Frequencies's tracks are mostly in minor keys (78% minor across 32 tracks). The most common single key is 4A (F Minor) with 6 tracks.
We scored every transition between Lost Frequencies's 32 analysed tracks and every track by 12,460 other artists. 519 catalogues clear the bar by more than chance would give, and Alok, Disco Fries, Joe Stone are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dive - Extended Mix into Side Effect (feat. Au/Ra), 4A to 3A, 92 chemistry.
Lost Frequencies sits closest to Robin Schulz, Kygo, Felix Jaehn in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Lost Frequencies releases spanning 2014 to 2026, with the most tracks from the 2010s.