Artist profile
Lee Holman is a techno producer working in deep and hypnotic styles. His work explores raw, stripped-back approaches to electronic music production.
Compare with another artistPlan a set with Lee Holman tracks scored against the rest of the catalog
Lee Holman is a moderate-energy with strong groove and drive artist.
Unusually high warmth for Techno (Raw / Deep / Hypnotic).
Across 9 analysed tracks, Lee Holman averages 86% groove — groovier than 77% of individual Techno (Raw / Deep / Hypnotic) tracks — and 52% energy, gentler than 66%.
Measured against 10,772 Techno (Raw / Deep / Hypnotic) tracks on 11 August 2026.
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We scored every transition between Lee Holman’s 9 analysed tracks and every track by 12,460 other artists. 243 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
55 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 8 different Lee Holman tracks.
Last Star Falling → Biosfera · 7A → 6A · same BPM · 92 chemistry
45 of the 333 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 8 different Lee Holman tracks.
Last Star Falling → The freeway at dawn · 7A → 7A · same BPM · 93 chemistry
51 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Lee Holman tracks.
The Honesty Of Time - Kaiser Remix → First Occasion · 11A → 10A · +1 BPM · 90 chemistry
46 of the 261 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 8 different Lee Holman tracks.
Last Star Falling → Six Requests · 7A → 8A · −2 BPM · 90 chemistry
49 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Lee Holman tracks.
67 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 9 different Lee Holman tracks.
Last Star Falling → Tonkonst · 7A → 7A · −2 BPM · 92 chemistry
55 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Lee Holman tracks.
Last Star Falling → Infinity · 7A → 7A · −1 BPM · 91 chemistry
60 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Lee Holman tracks.
Last Star Falling → Whistleblower · 7A → 7A · +2 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Lee Holman by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Lee Holman, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Lee Holman's tracks in our catalog range from 68 to 140 BPM, with a median of 138 BPM. Across 9 tracks, the most common range falls in the 140–145 BPM bucket.
Lee Holman's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 6A (G Minor) with 2 tracks.
We scored every transition between Lee Holman's 9 analysed tracks and every track by 12,460 other artists. 243 catalogues clear the bar by more than chance would give, and Altinbas, ANNĒ, Cari Lekebusch are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Last Star Falling into Biosfera, 7A to 6A, 92 chemistry.
Lee Holman sits closest to FAÏG, Ben Reymann, Linear System in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.