Artist profile
Lazarus is a breakbeat and UK bass producer working within the breaks and drum and bass sphere. The artist's work is characterized by intricate breakbeat programming and bass-heavy production techniques rooted in UK electronic music traditions.
Plan a set with Lazarus tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Lazarus is a moderate-energy artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 9 analysed tracks, Lazarus averages 51% energy — gentler than 63% of individual Breaks / Breakbeat / UK Bass tracks — and 50% groove, groovier than 59%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Lazarus’s 9 analysed tracks and every track by 12,460 other artists. 42 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
16 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Lazarus tracks.
Back One Eighty → Time · 5A → 5A · same BPM · 87 chemistry
14 of the 198 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 4 different Lazarus tracks.
Back One Eighty → Oh Yeah (Are We There) · 5A → 6A · same BPM · 87 chemistry
16 of the 333 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 5 different Lazarus tracks.
Cleansing → New Improved S#IT! · 1A → 1A · +1 BPM · 87 chemistry
16 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Lazarus tracks.
Back One Eighty → Children of the Night · 5A → 4A · same BPM · 84 chemistry
15 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Lazarus tracks.
Back One Eighty → The Joint · 5A → 6A · same BPM · 88 chemistry
15 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Lazarus tracks.
Downwards → Breathe Life · 2A → 2A · −1 BPM · 87 chemistry
14 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Lazarus tracks.
Back One Eighty → Birds Finding Pigs · 5A → 6A · +2 BPM · 87 chemistry
16 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 5 different Lazarus tracks.
Cleansing → The Woman Of The Night · 1A → 1A · same BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Lazarus by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Lazarus, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Lazarus's tracks in our catalog range from 65 to 147 BPM, with a median of 130 BPM. Across 9 tracks, the most common range falls in the 130–135 BPM bucket.
Lazarus's tracks are mostly in minor keys (78% minor across 9 tracks). The most common single key is 2A (E♭ Minor) with 2 tracks.
We scored every transition between Lazarus's 9 analysed tracks and every track by 12,460 other artists. 42 catalogues clear the bar by more than chance would give, and Curtis B, Dirty Kicks, DJ Brownie are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Back One Eighty into Time, 5A to 5A, 87 chemistry.
Lazarus sits closest to Evile, Bonded By Blood, Death Angel in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
