Artist profile
Kodama is a bass and club music producer working within contemporary electronic and underground dance traditions. Their work engages with textural sound design and rhythmic experimentation characteristic of the broader bass music landscape.
Compare with another artistPlan a set with Kodama tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Kodama is a high-energy with strong drive — mostly instrumental artist.
Unusually high drive for 140 / Deep Dubstep / Grime.
Across 17 analysed tracks, Kodama averages 66% energy — harder than 80% of individual 140 / Deep Dubstep / Grime tracks — and 47% groove, groovier than 70%.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Kodama’s 17 analysed tracks and every track by 12,460 other artists. 121 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
42 of the 646 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 12 different Kodama tracks.
Daimyo → You See Me · 9A → 8A · same BPM · 89 chemistry
32 of the 493 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 10 different Kodama tracks.
Two Things - Phossa Remix → Grinding Ft. High Tara - Mystic State Remix · 7B → 7B · same BPM · 93 chemistry
29 of the 510 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different Kodama tracks.
Sound Business - 3WA Remix → Mini · 2A → 12B · same BPM · 88 chemistry
30 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different Kodama tracks.
27 of the 357 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 5 different Kodama tracks.
Ish → Blatent Reep · 7A → 7A · same BPM · 93 chemistry
28 of the 255 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 11 different Kodama tracks.
Ish → Like A Snake · 7A → 6A · same BPM · 92 chemistry
33 of the 442 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Kodama tracks.
Ish → Essex Ravers · 7A → 7A · same BPM · 93 chemistry
42 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Kodama tracks.
Rootmars → Music That You Like · 5A → 5A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kodama by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kodama, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kodama's tracks in our catalog range from 67 to 140 BPM, with a median of 140 BPM. Across 17 tracks, the most common range falls in the 140–145 BPM bucket.
Kodama's tracks are mostly in minor keys (82% minor across 17 tracks). The most common single key is 5A (C Minor) with 4 tracks.
We scored every transition between Kodama's 17 analysed tracks and every track by 12,460 other artists. 121 catalogues clear the bar by more than chance would give, and Abstrakt Sonance, An-ten-nae, Distinct Motive are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Daimyo into You See Me, 9A to 8A, 89 chemistry.
Kodama sits closest to Mungk, Zha, We Came Out Like Tigers in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
