Artist profile
Kelly Lee Owens is a Welsh electronic music producer and vocalist known for her work in ambient and experimental electronica. Her sound blends synthesizers, field recordings, and ethereal vocals to create immersive, textural compositions.
Compare with another artistPlan a set with Kelly Lee Owens tracks scored against the rest of the catalog
Kelly Lee Owens is a moderate-energy with strong groove and drive artist.
Sits right in the typical Electronica pocket.
Across 13 analysed tracks, Kelly Lee Owens averages 64% groove — groovier than 65% of individual Electronica tracks — and 48% energy, harder than 58%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 69–158 BPM with a median of 127 · predominantly minor keys (54% minor) · most common key: 6B (B♭ Major) with 2 tracks.
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We scored every transition between Kelly Lee Owens’s 13 analysed tracks and every track by 12,460 other artists. 17 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 3 different Kelly Lee Owens tracks.
Elliptic → Clocks Feat. Kraków Loves Adana · 4B → 5A · same BPM · 90 chemistry
12 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 8 different Kelly Lee Owens tracks.
Dreamstate → Stitch in Time · 6B → 7A · +3 BPM · 85 chemistry
12 of the 494 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 4 different Kelly Lee Owens tracks.
Elliptic → Bittersweet · 4B → 3B · +2 BPM · 82 chemistry
11 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different Kelly Lee Owens tracks.
12 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different Kelly Lee Owens tracks.
Dreamstate → So - Extended Mix · 6B → 7A · same BPM · 87 chemistry
12 of the 468 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 4 different Kelly Lee Owens tracks.
Dreamstate → AMS - Mollono.Bass Rework · 6B → 8A · +1 BPM · 86 chemistry
12 of the 468 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 4 different Kelly Lee Owens tracks.
Dreamstate → Singularity - Fur Coat Remix · 6B → 6B · +3 BPM · 88 chemistry
13 of the 468 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 6 different Kelly Lee Owens tracks.
CBM → Challenge The Air · 7B → 8A · +3 BPM · 84 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Kelly Lee Owens by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Kelly Lee Owens, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Kelly Lee Owens's tracks in our catalog range from 69 to 158 BPM, with a median of 127 BPM. Across 13 tracks, the most common range falls in the 125–130 BPM bucket.
Kelly Lee Owens's tracks are mostly in minor keys (54% minor across 13 tracks). The most common single key is 6B (B♭ Major) with 2 tracks.
We scored every transition between Kelly Lee Owens's 13 analysed tracks and every track by 12,460 other artists. 17 catalogues clear the bar by more than chance would give, and Adana Twins, Aera, Electronic Beach are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Elliptic into Clocks Feat. Kraków Loves Adana, 4B to 5A, 90 chemistry.
Kelly Lee Owens sits closest to Daniel Avery, Marie Davidson, Floating Points in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.