Artist profile
Techno (Peak Time / Driving) producer and DJ.
Compare with another artistPlan a set with John Thomas tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
John Thomas is a restrained with strong groove and a bright production artist.
Unusually low energy and drive for Techno (Peak Time / Driving).
Across 10 analysed tracks, John Thomas averages 38% energy — gentler than 96% of individual Techno (Peak Time / Driving) tracks — and 76% groove, groovier than 60%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 78–146 BPM with a median of 129 · predominantly minor keys (80% minor) · most common key: 6A (G Minor) with 3 tracks.
How John Thomas’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across John Thomas's catalog, warmth has receded; production has darkened; tempos have climbed from ~135 to ~146 BPM.
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We scored every transition between John Thomas’s 10 analysed tracks and every track by 12,460 other artists. 39 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
20 of the 190 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 8 different John Thomas tracks.
Talking Machine - Remix → Radiate · 6A → 6A · −3 BPM · 88 chemistry
20 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different John Thomas tracks.
Vision - Aril Brikha Remix → 4x4 · 10A → 9B · same BPM · 91 chemistry
16 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different John Thomas tracks.
Talking Machine - Remix → Playtime · 6A → 6A · same BPM · 84 chemistry
17 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different John Thomas tracks.
Talking Machine - Remix → Frisk - Extended Mix · 6A → 5B · same BPM · 85 chemistry
20 of the 140 transitions between these catalogues reach 80 chemistry. Chance would give 0.8. They come from 6 different John Thomas tracks.
Working Runnin Smokin - Remix → Lumen · 7A → 8A · −1 BPM · 89 chemistry
18 of the 380 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 6 different John Thomas tracks.
Blackstage - John Tejada Remix → Dancing Monk · 3B → 3A · +3 BPM · 88 chemistry
16 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different John Thomas tracks.
Module - John Thomas Remix → The Body Human · 12B → 12B · same BPM · 93 chemistry
15 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different John Thomas tracks.
Vision - Aril Brikha Remix → The Bell · 10A → 9B · +1 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to John Thomas by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around John Thomas, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
John Thomas's tracks in our catalog range from 78 to 146 BPM, with a median of 129 BPM. Across 10 tracks, the most common range falls in the 130–135 BPM bucket.
John Thomas's tracks are mostly in minor keys (80% minor across 10 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between John Thomas's 10 analysed tracks and every track by 12,460 other artists. 39 catalogues clear the bar by more than chance would give, and Aril Brikha, Daniel Sbert, Gary Beck are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Talking Machine - Remix into Radiate, 6A to 6A, 88 chemistry.
John Thomas sits closest to Marco Lenzi, Uk Gold, Pacou in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has John Thomas releases spanning 1997 to 2002, with the most tracks from the 2000s.