Artist profile
John Talabot is a Spanish electronic musician working in indie dance and experimental electronic music. His productions blend intricate rhythmic structures with atmospheric textures, drawing from house and techno influences while maintaining an avant-garde sensibility.
Compare with another artistPlan a set with John Talabot tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
John Talabot is a restrained with strong groove — mostly instrumental artist.
Unusually low energy and drive for Indie Dance.
Across 13 analysed tracks, John Talabot averages 34% energy — gentler than 92% of individual Indie Dance tracks — and 73% groove, straighter than 74%.
Measured against 16,726 Indie Dance tracks on 11 August 2026.
How John Talabot’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Indie Dance tempo.
John Talabot's sound has stayed broadly consistent across this catalog window — release tempos and production palette have held to the same character.
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We scored every transition between John Talabot’s 13 analysed tracks and every track by 12,460 other artists. 41 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
18 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 5 different John Talabot tracks.
Voices → Dreamtronika · 11A → 11A · same BPM · 88 chemistry
14 of the 234 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 5 different John Talabot tracks.
Matilda's Dream → Night Affair · 12A → 1A · +3 BPM · 84 chemistry
17 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different John Talabot tracks.
Voices → Heaven & Earth · 11A → 10A · +1 BPM · 89 chemistry
16 of the 260 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 6 different John Talabot tracks.
When The Past Was Present - Pachanga Boys Purple Remix → Heart Rock · 8A → 7A · same BPM · 87 chemistry
15 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 6 different John Talabot tracks.
When The Past Was Present - Pachanga Boys Purple Remix → KLHouse · 8A → 8A · +3 BPM · 87 chemistry
15 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different John Talabot tracks.
When The Past Was Present - Pachanga Boys Purple Remix → Clasp - Connor Remix · 8A → 8A · +2 BPM · 92 chemistry
13 of the 221 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 4 different John Talabot tracks.
When The Past Was Present - Pachanga Boys Purple Remix → Lost Fucking Love · 8A → 8B · −3 BPM · 86 chemistry
16 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 8 different John Talabot tracks.
When The Past Was Present - Pachanga Boys Purple Remix → Golden Age - Jacques Renault Remix · 8A → 8A · +3 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to John Talabot by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around John Talabot, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
John Talabot's tracks in our catalog range from 71 to 149 BPM, with a median of 114 BPM. Across 13 tracks, the most common range falls in the 115–120 BPM bucket.
John Talabot's tracks are mostly in minor keys (62% minor across 13 tracks). The most common single key is 2A (E♭ Minor) with 3 tracks.
We scored every transition between John Talabot's 13 analysed tracks and every track by 12,460 other artists. 41 catalogues clear the bar by more than chance would give, and Dionigi, Disco Lust, Fort Romeau are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Voices into Dreamtronika, 11A to 11A, 88 chemistry.
John Talabot sits closest to Daniel Bortz, Pional, Talaboman in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has John Talabot releases spanning 2010 to 2017, with the most tracks from the 2010s.
