Artist profile
UK Garage / Bassline producer and DJ.
DJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with Jay Faded tracks scored against the rest of the catalog
Jay Faded is a moderate-energy with strong groove — mostly instrumental artist.
Sits right in the typical UK Garage / Bassline pocket.
Across 10 analysed tracks, Jay Faded averages 79% groove — groovier than 69% of individual UK Garage / Bassline tracks.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Jay Faded’s 10 analysed tracks and every track by 12,460 other artists. 116 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
33 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Jay Faded tracks.
Bag N Nab → Nice 'N' Sweet · 8A → 8A · +2 BPM · 88 chemistry
33 of the 310 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Jay Faded tracks.
Enemies → Hold Me Close · 9A → 9A · +3 BPM · 87 chemistry
38 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Jay Faded tracks.
34 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Jay Faded tracks.
Enemies → Hit Switch · 9A → 10A · −1 BPM · 90 chemistry
37 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 8 different Jay Faded tracks.
44 of the 370 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Jay Faded tracks.
Dirt → Take Me To XTC · 5A → 5A · −4 BPM · 90 chemistry
54 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Jay Faded tracks.
Delinquent → Exit Strategy · 7A → 7A · −1 BPM · 92 chemistry
39 of the 340 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 8 different Jay Faded tracks.
Enemies → Back in the Day · 9A → 8B · −1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Jay Faded by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Jay Faded, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Jay Faded's tracks in our catalog range from 129 to 138 BPM, with a median of 134 BPM. Across 10 tracks, the most common range falls in the 135–140 BPM bucket.
Jay Faded's tracks are mostly in minor keys (100% minor across 10 tracks). The most common single key is 2A (E♭ Minor) with 2 tracks.
We scored every transition between Jay Faded's 10 analysed tracks and every track by 12,460 other artists. 116 catalogues clear the bar by more than chance would give, and Main Phase, Mikey B, Murder He Wrote are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Bag N Nab into Nice 'N' Sweet, 8A to 8A, 88 chemistry.
Jay Faded sits closest to WA-FU, NuBass, Corrupt (UK) in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.