Artist profile
Jan Kost is a producer and DJ working in jackin house, a style rooted in Chicago's footwork and jack traditions. His work emphasizes percussive rhythms and syncopated grooves characteristic of the genre.
Plan a set with Jan Kost tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Jan Kost is a moderate-energy with strong groove and drive and a bright production — mostly instrumental artist.
Unusually low groove for Jackin House.
Across 8 analysed tracks, Jan Kost averages 66% groove — straighter than 85% of individual Jackin House tracks — and 56% energy, harder than 77%.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Jan Kost’s 8 analysed tracks and every track by 12,460 other artists. 114 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 264 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 4 different Jan Kost tracks.
Maintaining (Vocal Cut) → Love, Happiness, Music · 3A → 3A · −2 BPM · 84 chemistry
20 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Jan Kost tracks.
21 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different Jan Kost tracks.
CAUGHTPLAYIN → You Go Pop · 4B → 5A · same BPM · 84 chemistry
27 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Jan Kost tracks.
Maintaining (Vocal Cut) → K.I.M. · 3A → 4A · same BPM · 91 chemistry
24 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Jan Kost tracks.
Rekidzz - JACKARD Remix → All Of Me · 6A → 7A · same BPM · 83 chemistry
19 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 4 different Jan Kost tracks.
Maintaining (Vocal Cut) → Southside · 3A → 4A · same BPM · 84 chemistry
19 of the 200 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 5 different Jan Kost tracks.
Maintaining (Vocal Cut) → Small Talk · 3A → 4B · +2 BPM · 86 chemistry
21 of the 264 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 4 different Jan Kost tracks.
Maintaining (Vocal Cut) → Ur Love 4 Me · 3A → 2A · +2 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Jan Kost by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Jan Kost, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Jan Kost's tracks in our catalog range from 124 to 130 BPM, with a median of 125 BPM. Across 8 tracks, the most common range falls in the 125–130 BPM bucket.
Jan Kost's tracks are mostly in minor keys (63% minor across 8 tracks). The most common single key is 6A (G Minor) with 2 tracks.
We scored every transition between Jan Kost's 8 analysed tracks and every track by 12,460 other artists. 114 catalogues clear the bar by more than chance would give, and Agent Stereo, Delgado, Denats are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Maintaining (Vocal Cut) into Love, Happiness, Music, 3A to 3A, 84 chemistry.
Jan Kost sits closest to Ottsen, Solles, John Randle in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
