Artist profile
Jan Fleck is a hard techno producer working within the stripped-down, percussive frameworks of the genre. His sound emphasizes industrial textures and driving rhythmic elements characteristic of contemporary hard techno.
Plan a set with Jan Fleck tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Jan Fleck is a high-energy with strong groove and drive — mostly instrumental artist.
Unusually high groove for Hard Techno.
Across 11 analysed tracks, Jan Fleck averages 80% groove — groovier than 85% of individual Hard Techno tracks — and 70% energy, harder than 57%.
Measured against 9,974 Hard Techno tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Jan Fleck’s 11 analysed tracks and every track by 12,460 other artists. 108 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
27 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Jan Fleck tracks.
Downstairs → Crawl · 7A → 6B · same BPM · 86 chemistry
32 of the 352 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 3 different Jan Fleck tracks.
Hooverkraft → Elements · 9B → 9B · same BPM · 90 chemistry
26 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Jan Fleck tracks.
29 of the 330 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 7 different Jan Fleck tracks.
26 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Jan Fleck tracks.
Hooverkraft → Uprisingz · 9B → 10A · −3 BPM · 88 chemistry
26 of the 407 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different Jan Fleck tracks.
Insect Society → Again · 4B → 4B · −1 BPM · 91 chemistry
29 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different Jan Fleck tracks.
Hooverkraft → Lerduvan · 9B → 10A · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Jan Fleck by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Jan Fleck, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Jan Fleck's tracks in our catalog range from 97 to 160 BPM, with a median of 139 BPM. Across 11 tracks, the most common range falls in the 140–145 BPM bucket.
Jan Fleck's tracks are mostly in major keys (45% minor across 11 tracks). The most common single key is 9B (G Major) with 2 tracks.
We scored every transition between Jan Fleck's 11 analysed tracks and every track by 12,460 other artists. 108 catalogues clear the bar by more than chance would give, and A.Paul, Altinbas, Arnaud Le Texier are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Downstairs into Crawl, 7A to 6B, 86 chemistry.
Jan Fleck sits closest to Greg Notill, Mental Crush, Withecker in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
