Artist profile
James Poole is a tech house producer working within contemporary electronic music. His output reflects the genre's focus on rhythmic precision and synthesizer-driven textures.
Plan a set with James Poole tracks scored against the rest of the catalog
James Poole is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Tech House pocket.
Across 15 analysed tracks, James Poole averages 67% energy — harder than 65% of individual Tech House tracks — and 74% groove, straighter than 59%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between James Poole’s 15 analysed tracks and every track by 12,460 other artists. 603 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
37 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 8 different James Poole tracks.
Jazzy Affair - Extended Mix → BLOODY · 6A → 5A · same BPM · 90 chemistry
46 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 9 different James Poole tracks.
One Wish → Entra Mi Casa - Jean Pierre's X Rated Remix · 2A → 3A · +1 BPM · 89 chemistry
47 of the 555 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 10 different James Poole tracks.
Sayonara → Never Sax Enough - Iglesias Remix · 5B → 5B · same BPM · 93 chemistry
41 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different James Poole tracks.
Brass Money → Velocity Funk - Extended Mix · 7A → 7A · +1 BPM · 92 chemistry
40 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different James Poole tracks.
One Wish → Numb The Pain · 2A → 2A · same BPM · 90 chemistry
39 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 8 different James Poole tracks.
Brass Money → Dip My Wick · 7A → 6B · same BPM · 89 chemistry
41 of the 540 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 10 different James Poole tracks.
Brass Money → Girlfight · 7A → 7A · +3 BPM · 90 chemistry
45 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 8 different James Poole tracks.
Mind The Gap → Scream · 7B → 8A · −1 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to James Poole by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around James Poole, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
James Poole's tracks in our catalog range from 96 to 132 BPM, with a median of 130 BPM. Across 15 tracks, the most common range falls in the 130–135 BPM bucket.
James Poole's tracks are mostly in minor keys (67% minor across 15 tracks). The most common single key is 3A (B♭ Minor) with 3 tracks.
We scored every transition between James Poole's 15 analysed tracks and every track by 12,460 other artists. 603 catalogues clear the bar by more than chance would give, and Angel Heredia, Davide Mentesana, Fer BR are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Jazzy Affair - Extended Mix into BLOODY, 6A to 5A, 90 chemistry.
James Poole sits closest to Sosh & Mosh, Stef Davidse, Mason Collective in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.