Artist profile
James Gill
Progressive House producer and DJ.
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Plan a set with James Gill tracks scored against the rest of the catalog
James Gill on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Progressive House producer and DJ.
Compare with another artistPlan a set with James Gill tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
James Gill is a high-energy with strong groove and drive artist.
Sits right in the typical Progressive House pocket.
Across 10 analysed tracks, James Gill averages 67% energy — harder than 62% of individual Progressive House tracks — and 76% groove, straighter than 60%.
Measured against 20,247 Progressive House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between James Gill’s 10 analysed tracks and every track by 12,460 other artists. 267 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
38 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different James Gill tracks.
Through the Looking Glass → Catalyst · 5B → 5B · −1 BPM · 90 chemistry
37 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different James Gill tracks.
Before the Fall → Heart - Erdi Irmak Remix · 11B → 11A · same BPM · 88 chemistry
37 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different James Gill tracks.
Through the Looking Glass → Ground - The Wash Remix · 5B → 6A · same BPM · 92 chemistry
37 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different James Gill tracks.
Out Of Sight - Simply City Remix → Distant Flow · 4B → 4B · +1 BPM · 91 chemistry
36 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different James Gill tracks.
Through the Looking Glass → Canacona · 5B → 7A · same BPM · 88 chemistry
34 of the 350 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 7 different James Gill tracks.
Villa Borghese → Lose to Win · 10B → 10B · −1 BPM · 91 chemistry
36 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different James Gill tracks.
Lost in Dream → Audacity · 12B → 12B · +3 BPM · 89 chemistry
35 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different James Gill tracks.
Out Of Sight - Simply City Remix → Supervision · 4B → 4B · +3 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to James Gill by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around James Gill, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
James Gill's tracks in our catalog range from 120 to 122 BPM, with a median of 121 BPM. Across 10 tracks, the most common range falls in the 120–125 BPM bucket.
James Gill's tracks are mostly in major keys (10% minor across 10 tracks). The most common single key is 7B (F Major) with 2 tracks.
We scored every transition between James Gill's 10 analysed tracks and every track by 12,460 other artists. 267 catalogues clear the bar by more than chance would give, and Digital Mess, Ewan Rill, Forty Cats are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Through the Looking Glass into Catalyst, 5B to 5B, 90 chemistry.
James Gill sits closest to Brian Cid, Nick Varon, Just Be in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
