Artist profile
James Blake is a producer and artist working in trap and future bass, crafting atmospheric, bass-heavy soundscapes that blur electronic production with experimental sensibilities. His work emphasizes textural synthesis and intricate rhythmic design within the broader landscape of contemporary electronic music.
Compare with another artistPlan a set with James Blake tracks scored against the rest of the catalog
James Blake is a moderate-energy and a warm production — mostly instrumental artist.
Sits right in the typical Electronica pocket.
Across 10 analysed tracks, James Blake averages 48% energy — harder than 60% of individual Electronica tracks.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 70–148 BPM with a median of 113 · predominantly major keys (40% minor) · most common key: 11A (F♯ Minor) with 2 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between James Blake’s 10 analysed tracks and every track by 12,460 other artists. 1 catalogue clears the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 1 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different James Blake tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to James Blake by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around James Blake, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
James Blake's tracks in our catalog range from 70 to 148 BPM, with a median of 113 BPM. Across 10 tracks, the most common range falls in the 115–120 BPM bucket.
James Blake's tracks are mostly in major keys (40% minor across 10 tracks). The most common single key is 11A (F♯ Minor) with 2 tracks.
We scored every transition between James Blake's 10 analysed tracks and every track by 12,460 other artists. 1 catalogue clears the bar by more than chance would give, and Jon Gurd are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page.
James Blake sits closest to Sampha, SBTRKT, Mount Kimbie in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has James Blake releases spanning 2019 to 2023, with the most tracks from the 2010s.