Artist profile
Interactive Noise is a psy-trance producer and sound designer working across psychedelic and electronic music territories. Their work emphasizes intricate sound design and rhythmic complexity within the broader psy-trance spectrum.
Compare with another artistPlan a set with Interactive Noise tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Interactive Noise is a high-energy with strong drive artist.
Unusually high warmth for Psy-Trance.
Across 69 analysed tracks, Interactive Noise averages 58% groove — straighter than 83% of individual Psy-Trance tracks — and 70% energy, harder than 61%.
Measured against 15,751 Psy-Trance tracks on 11 August 2026.
Most tracks sit between 66–161 BPM with a median of 138 · predominantly major keys (28% minor) · most common key: 7B (F Major) with 9 tracks.
How Interactive Noise’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Psy-Trance tempo.
Across Interactive Noise's catalog, groove has thinned; warmth has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Interactive Noise’s 40 analysed tracks and every track by 12,460 other artists. 543 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
119 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Interactive Noise tracks.
The Moment Of Choice → Our Moment - Samra remix · 12B → 1A · +5 BPM · 90 chemistry
117 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 32 different Interactive Noise tracks.
The Moment Of Choice → Bayaka - Symphonix Remix · 12B → 12B · +1 BPM · 91 chemistry
101 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Interactive Noise tracks.
The Weekend → Truffle Shuffle - Freak Control & Mystic Remix · 7B → 7B · +5 BPM · 89 chemistry
113 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Interactive Noise tracks.
The Moment Of Choice → African Jungle · 12B → 12B · +3 BPM · 91 chemistry
119 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Interactive Noise tracks.
Let`s Start → Fireball · 7B → 7B · −1 BPM · 91 chemistry
108 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Interactive Noise tracks.
Just Be Crazy → Storm - Shogan Remix · 4B → 4B · +4 BPM · 91 chemistry
112 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Interactive Noise tracks.
Share It Loud → Insidious · 5B → 5B · −1 BPM · 93 chemistry
116 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 33 different Interactive Noise tracks.
Share It Loud → Underground · 5B → 5B · +4 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Interactive Noise by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Interactive Noise, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Interactive Noise's tracks in our catalog range from 66 to 161 BPM, with a median of 138 BPM. Across 69 tracks, the most common range falls in the 140–145 BPM bucket.
Interactive Noise's tracks are mostly in major keys (28% minor across 69 tracks). The most common single key is 7B (F Major) with 9 tracks.
We scored every transition between Interactive Noise's 40 analysed tracks and every track by 12,460 other artists. 543 catalogues clear the bar by more than chance would give, and Ace Ventura, Berg, Burn In Noise are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Moment Of Choice into Our Moment - Samra remix, 12B to 1A, 90 chemistry.
Interactive Noise sits closest to Morten Granau, Protonica, Symphonix in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Interactive Noise releases spanning 2010 to 2025, with the most tracks from the 2010s.
