Artist profile
I.C.U. is a drum and bass producer working within the genre's electronic and breakbeat traditions. Their work engages with the technical and rhythmic foundations central to the drum and bass sound.
Plan a set with I.C.U tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
I.C.U is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 9 analysed tracks, I.C.U averages 75% energy — harder than 85% of individual Drum & Bass tracks — and 47% groove, groovier than 67%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between I.C.U’s 9 analysed tracks and every track by 12,460 other artists. 355 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
38 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different I.C.U tracks.
Remedy → Heavy Hitters · 9A → 10B · same BPM · 87 chemistry
40 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different I.C.U tracks.
40 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different I.C.U tracks.
Ultrasound → Forever Dub (ft. Kiko Bun) - Kanine Remix · 9A → 9A · same BPM · 90 chemistry
39 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different I.C.U tracks.
44 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different I.C.U tracks.
44 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different I.C.U tracks.
Hush Hush → Inner Soul · 12B → 1A · −1 BPM · 88 chemistry
39 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different I.C.U tracks.
Close To Me → The Burning · 9A → 9A · same BPM · 93 chemistry
45 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different I.C.U tracks.
Hush Hush → Black Jungle · 12B → 12B · −2 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to I.C.U by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around I.C.U, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
I.C.U's tracks in our catalog range from 87 to 133 BPM, with a median of 87 BPM. Across 9 tracks, the most common range falls in the 85–90 BPM bucket.
I.C.U's tracks are mostly in major keys (44% minor across 9 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between I.C.U's 9 analysed tracks and every track by 12,460 other artists. 355 catalogues clear the bar by more than chance would give, and Amplify, Benny L, Friction are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Remedy into Heavy Hitters, 9A to 10B, 87 chemistry.
I.C.U sits closest to Chicangel, Hey Girls, Makamaka in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
