Artist profile
High On Mars is a progressive house producer working within contemporary electronic music. Their sound emphasizes layered synths and evolving arrangements characteristic of the progressive house genre.
Compare with another artistPlan a set with High On Mars tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
High On Mars is a high-energy with strong groove and drive artist.
Sits right in the typical Progressive House pocket.
Across 24 analysed tracks, High On Mars averages 69% energy — harder than 65% of individual Progressive House tracks.
Measured against 20,247 Progressive House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between High On Mars’s 24 analysed tracks and every track by 12,460 other artists. 860 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
73 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 18 different High On Mars tracks.
Oblique - Extended Mix → Shake Before Use - Satoshi Fumi 'Shining' Mix · 4B → 4B · same BPM · 91 chemistry
74 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 17 different High On Mars tracks.
Gravity → Black Table · 8A → 8A · same BPM · 93 chemistry
70 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 18 different High On Mars tracks.
The Power Plant - Bardeeya Remix → Crystal Ball · 8B → 9B · −1 BPM · 90 chemistry
66 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 21 different High On Mars tracks.
Oblique - Extended Mix → Come With Me - Sean & Dee Remix · 4B → 5A · same BPM · 92 chemistry
75 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 21 different High On Mars tracks.
Orientalist - Stan Kolev Extended Remix → Gignesthai - Emi Galvan Remix · 11B → 11B · +1 BPM · 91 chemistry
71 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 19 different High On Mars tracks.
Eternity - Mylamix Remix → Presence · 2B → 2B · −1 BPM · 90 chemistry
67 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 18 different High On Mars tracks.
Space Time → Pearl Sand · 12B → 12B · same BPM · 92 chemistry
67 of the 744 transitions between these catalogues reach 80 chemistry. Chance would give 4.3. They come from 21 different High On Mars tracks.
Orientalist - Stan Kolev Extended Remix → Heaven · 11B → 10B · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to High On Mars by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around High On Mars, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
High On Mars's tracks in our catalog range from 122 to 128 BPM, with a median of 125 BPM. Across 24 tracks, the most common range falls in the 125–130 BPM bucket.
High On Mars's tracks are mostly in major keys (33% minor across 24 tracks). The most common single key is 12B (E Major) with 6 tracks.
We scored every transition between High On Mars's 24 analysed tracks and every track by 12,460 other artists. 860 catalogues clear the bar by more than chance would give, and Cid Inc., D-Nox, Matan Caspi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Oblique - Extended Mix into Shake Before Use - Satoshi Fumi 'Shining' Mix, 4B to 4B, 91 chemistry.
High On Mars sits closest to Lezcano, Wurtz, Max Freegrant in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has High On Mars releases spanning 2020 to 2022, with the most tracks from the 2020s.
