Artist profile
Tech House producer and DJ.
Compare with another artistPlan a set with Harvard Bass tracks scored against the rest of the catalog
Harvard Bass is a moderate-energy with strong groove and drive and a bright production — mostly instrumental artist.
Sits right in the typical Tech House pocket.
Across 13 analysed tracks, Harvard Bass averages 74% groove — straighter than 59% of individual Tech House tracks — and 54% energy, gentler than 57%.
Measured against 25,372 Tech House tracks on 11 August 2026.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Harvard Bass’s 13 analysed tracks and every track by 12,460 other artists. 812 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
35 of the 455 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 11 different Harvard Bass tracks.
Make Me Danse → Cloud21 · 9B → 10A · −1 BPM · 90 chemistry
41 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Harvard Bass tracks.
Body Feels feat. Herswerve → MENEALO · 5A → 5A · +2 BPM · 92 chemistry
45 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 9 different Harvard Bass tracks.
45 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Harvard Bass tracks.
Nite Freak → Clueless · 12A → 11A · same BPM · 87 chemistry
37 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Harvard Bass tracks.
Head 2 Toe - Extended Mix → Jack Herer · 7A → 7A · −3 BPM · 85 chemistry
35 of the 507 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different Harvard Bass tracks.
Get Got! → Limoncello · 12B → 1A · +1 BPM · 89 chemistry
38 of the 507 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different Harvard Bass tracks.
Get Got! → Soul Rebel · 12B → 1A · same BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Harvard Bass by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Harvard Bass, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Harvard Bass's tracks in our catalog range from 125 to 128 BPM, with a median of 126 BPM. Across 13 tracks, the most common range falls in the 125–130 BPM bucket.
Harvard Bass's tracks are mostly in minor keys (77% minor across 13 tracks). The most common single key is 1A (A♭ Minor) with 3 tracks.
We scored every transition between Harvard Bass's 13 analysed tracks and every track by 12,460 other artists. 812 catalogues clear the bar by more than chance would give, and Alessandro Diruggiero, Angel Heredia, Arkady Antsyrev are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Make Me Danse into Cloud21, 9B to 10A, 90 chemistry.
Harvard Bass sits closest to Jfk Of Mstrkrft, Bird Peterson, Sound Of Stereo in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Harvard Bass releases spanning 2012 to 2025, with the most tracks from the 2010s.