Artist profile
Gramatik is a trap and future bass producer known for instrumental electronic music with heavy bass and atmospheric production. His work blends elements of hip-hop production with experimental sound design.
Compare with another artistPlan a set with Gramatik tracks scored against the rest of the catalog
Gramatik is a moderate-energy and a balanced bright/warm production — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 13 analysed tracks, Gramatik averages 44% groove — groovier than 56% of individual Trap / Future Bass tracks.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 75–156 BPM with a median of 91 · predominantly minor keys (77% minor) · most common key: 5B (E♭ Major) with 3 tracks.
How Gramatik’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across Gramatik's catalog, tempos have eased from ~90 to ~75 BPM; production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Gramatik’s 13 analysed tracks and every track by 12,460 other artists. 90 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 6 different Gramatik tracks.
War Of The Currents → Experience Points · 4A → 4A · same BPM · 88 chemistry
26 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 4 different Gramatik tracks.
War Of The Currents → Written (feat. The Arcturians) - Control Freak & Deadlyft Remix · 4A → 4A · same BPM · 84 chemistry
20 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different Gramatik tracks.
War Of The Currents → Like A Boss · 4A → 3A · −10 BPM · 82 chemistry
20 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 6 different Gramatik tracks.
War Of The Currents → Show Me! · 4A → 4A · same BPM · 93 chemistry
19 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different Gramatik tracks.
War Of The Currents → When I'm Hot · 4A → 4A · −5 BPM · 86 chemistry
21 of the 364 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different Gramatik tracks.
War Of The Currents → Countdown · 4A → 4A · same BPM · 86 chemistry
19 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 7 different Gramatik tracks.
War Of The Currents → Miles Away · 4A → 4A · −5 BPM · 89 chemistry
19 of the 455 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 8 different Gramatik tracks.
War Of The Currents → Stay · 4A → 2B · same BPM · 83 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Gramatik by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Gramatik, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Gramatik's tracks in our catalog range from 75 to 156 BPM, with a median of 91 BPM. Across 13 tracks, the most common range falls in the 90–95 BPM bucket.
Gramatik's tracks are mostly in minor keys (77% minor across 13 tracks). The most common single key is 5B (E♭ Major) with 3 tracks.
We scored every transition between Gramatik's 13 analysed tracks and every track by 12,460 other artists. 90 catalogues clear the bar by more than chance would give, and Chime, Dodge & Fuski, Eptic are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: War Of The Currents into Experience Points, 4A to 4A, 88 chemistry.
Gramatik sits closest to Akshin Alizadeh, Kognitif, Guts in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Gramatik releases spanning 2011 to 2026, with the most tracks from the 2010s.