Artist profile
Grabbitz is a dubstep producer known for heavy, bass-driven soundscapes and intricate sound design. His work spans the darker and more experimental territories of the genre, with a focus on layered atmospherics and powerful drops.
Compare with another artistPlan a set with Grabbitz tracks scored against the rest of the catalog
Grabbitz is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 17 analysed tracks, Grabbitz averages 68% energy — harder than 65% of individual Dubstep tracks.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Most tracks sit between 65–155 BPM with a median of 128 · predominantly minor keys (71% minor) · most common key: 9A (E Minor) with 4 tracks.
How Grabbitz’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dubstep tempo.
Across Grabbitz's catalog, tempos have eased from ~124 to ~111 BPM; warmth has lifted; groove has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Grabbitz’s 17 analysed tracks and every track by 12,460 other artists. 214 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
40 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Grabbitz tracks.
151 → Get Off My Train · 4A → 5A · +1 BPM · 86 chemistry
48 of the 629 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 10 different Grabbitz tracks.
37 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 7 different Grabbitz tracks.
151 → Too Late To Say No · 4A → 4A · same BPM · 93 chemistry
37 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different Grabbitz tracks.
39 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 9 different Grabbitz tracks.
Blood On My Hands → No One's Home · 2A → 2A · −5 BPM · 91 chemistry
37 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different Grabbitz tracks.
Don't Stop → Power · 2B → 3A · same BPM · 89 chemistry
36 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 10 different Grabbitz tracks.
36 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 11 different Grabbitz tracks.
Turn Around → Brown Bread · 9A → 9A · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Grabbitz by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Grabbitz, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Grabbitz's tracks in our catalog range from 65 to 155 BPM, with a median of 128 BPM. Across 17 tracks, the most common range falls in the 130–135 BPM bucket.
Grabbitz's tracks are mostly in minor keys (71% minor across 17 tracks). The most common single key is 9A (E Minor) with 4 tracks.
We scored every transition between Grabbitz's 17 analysed tracks and every track by 12,460 other artists. 214 catalogues clear the bar by more than chance would give, and Aweminus, Dack Janiels, Datsik are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: 151 into Get Off My Train, 4A to 5A, 86 chemistry.
Grabbitz sits closest to Unlike Pluto, Pegboard Nerds, Fox Stevenson in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Grabbitz releases spanning 2014 to 2026, with the most tracks from the 2010s.