Artist profile
Frink
Deep House producer and DJ.
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Plan a set with Frink tracks scored against the rest of the catalog
Frink on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
Artist profile
Deep House producer and DJ.
Compare with another artistPlan a set with Frink tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Frink is a moderate-energy with strong groove and drive artist.
Sits right in the typical Deep House pocket.
Across 28 analysed tracks, Frink averages 92% groove — groovier than 76% of individual Deep House tracks — and 52% energy, harder than 71%.
Measured against 22,124 Deep House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Frink’s 28 analysed tracks and every track by 12,460 other artists. 2,337 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
142 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 26 different Frink tracks.
160 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 24 different Frink tracks.
Verde → Acid Base Reactions · 6A → 6A · same BPM · 92 chemistry
138 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 21 different Frink tracks.
168 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 21 different Frink tracks.
Summa → Buscandote · 7A → 7A · same BPM · 91 chemistry
144 of the 1,008 transitions between these catalogues reach 80 chemistry. Chance would give 5.8. They come from 21 different Frink tracks.
Surreal → Stillness in Motions · 6A → 5A · same BPM · 92 chemistry
149 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 27 different Frink tracks.
Verde → Broke My Heart · 6A → 6A · same BPM · 92 chemistry
137 of the 1,120 transitions between these catalogues reach 80 chemistry. Chance would give 6.4. They come from 26 different Frink tracks.
Sense → Going Around · 8A → 7B · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Frink by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Frink, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Frink's tracks in our catalog range from 123 to 130 BPM, with a median of 124 BPM. Across 28 tracks, the most common range falls in the 125–130 BPM bucket.
Frink's tracks are mostly in minor keys (82% minor across 28 tracks). The most common single key is 10A (B Minor) with 5 tracks.
We scored every transition between Frink's 28 analysed tracks and every track by 12,460 other artists. 2,337 catalogues clear the bar by more than chance would give, and Arkady Antsyrev, Daniel Meister, Franck Roger are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dislate into My Own, 10A to 10A, 93 chemistry.
Frink sits closest to Per Hammar, Priku, iO (Mulen) in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
