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Artist profile

Freerange DJs

Freerange DJs work across breaks and UK bass production, crafting rhythmically complex tracks rooted in breakbeat culture. Their approach emphasizes intricate drum programming and bass-heavy arrangements characteristic of the broader breaks and bass underground.

3 tracksBreaks / Breakbeat / UK Bass
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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Freerange DJs is a moderate-energy with strong groove and drive and a bright production artist.

This artistTypical Breaks / Breakbeat / UK Bass
Signature sound

Unusually high drive and groove for Breaks / Breakbeat / UK Bass.

↑drive↑groove
How this compares to Breaks / Breakbeat / UK Bass

Across 3 analysed tracks, Freerange DJs averages 66% groove — groovier than 87% of individual Breaks / Breakbeat / UK Bass tracks — and 59% energy, harder than 68%.

Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 128–130 BPM with a median of 130 · predominantly major keys (33% minor) · most common key: 9A (E Minor) with 1 track.

BPM spread
125–129
1
130–134
2
Key distribution
1A1B2A2B3A3B4A4B5A5B6A6B7A7B18A8B9A19B10A10B11A11B12A12B1

Tracks in catalog

3 total · sortable
Bad At Parties - Remix album art
Bad At Parties - Remix
Freerange DJs
130 BPM · 12B · Breaks / Breakbeat / UK Bass · 52% Sustainer
Breaks / Breakbeat / UK Bass
130
12B · E maj
52%Sustainer
—
Rumble The System (feat. Cova Stirling) album art
Rumble The System (feat. Cova Stirling)
Freerange DJs, Cova Stirling
130 BPM · 9A · Breaks / Breakbeat / UK Bass · 69% Builder
Breaks / Breakbeat / UK Bass
130
9A · E min
69%Builder
—
You Won't Find Me - Electric Soulside Remix album art
You Won't Find Me - Electric Soulside Remix
Freerange DJs
128 BPM · 7B · Breaks / Breakbeat / UK Bass · 56% Builder
Breaks / Breakbeat / UK Bass
128
7B · F maj
56%Builder
—

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Related artists

Top 15 by similarity

DJs and producers closest to Freerange DJs by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Freerange DJs, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Aggresivnes
100%
58 tracks in catalog · Breaks / Breakbeat / UK Bass
Access Denied
95%
6 tracks in catalog · Breaks / Breakbeat / UK Bass
Breakzhead
79%
Not in our catalog yet
Parallax Breakz
79%
5 tracks in catalog · Breaks / Breakbeat / UK Bass
The Brainkiller
71%
65 tracks in catalog · Breaks / Breakbeat / UK Bass
Cut & Run
69%
Not in our catalog yet
Quadrat Beat
67%
19 tracks in catalog · Breaks / Breakbeat / UK Bass
Afghan Headspin
59%
11 tracks in catalog · Breaks / Breakbeat / UK Bass
Kid Digital
56%
8 tracks in catalog · Breaks / Breakbeat / UK Bass
B-Phreak
53%
31 tracks in catalog · Breaks / Breakbeat / UK Bass · no artist page yet
Crisp Biscuit
52%
Not in our catalog yet
Big Bang Breaks
50%
Not in our catalog yet
Davip
45%
1 track in catalog · Breaks / Breakbeat / UK Bass · no artist page yet
Napt
45%
Not in our catalog yet
4Kuba
44%
1 track in catalog · Dubstep · no artist page yet

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Freerange DJs play at?+

Freerange DJs's tracks in our catalog range from 128 to 130 BPM, with a median of 130 BPM. Across 3 tracks, the most common range falls in the 130–135 BPM bucket.

What key are Freerange DJs's tracks in?+

Freerange DJs's tracks are mostly in major keys (33% minor across 3 tracks). The most common single key is 9A (E Minor) with 1 track.

Which artists share an audience with Freerange DJs?+

Freerange DJs sits closest to Aggresivnes, Access Denied, Breakzhead in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.