Artist profile
Far Too Loud is a dubstep producer known for bass-heavy tracks and dynamic sound design. The artist has built a presence within the electronic music community through releases that blend aggressive wobble bass with intricate production techniques.
Compare with another artistPlan a set with Far Too Loud tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Far Too Loud is a high-energy and a bright production artist.
Sits right in the typical Dubstep pocket.
Across 21 analysed tracks, Far Too Loud sits within a few points of the Dubstep median on groove and energy.
Measured against 11,781 Dubstep tracks on 11 August 2026.
Most tracks sit between 75–175 BPM with a median of 128 · predominantly minor keys (62% minor) · most common key: 4A (F Minor) with 5 tracks.
How Far Too Loud’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Dubstep tempo.
Across Far Too Loud's catalog, tempos have eased from ~133 to ~113 BPM; groove has thinned; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Far Too Loud’s 21 analysed tracks and every track by 12,460 other artists. 712 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
41 of the 819 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 4 different Far Too Loud tracks.
600 Years - Skism Remix → Pandemic · 4A → 4A · half-time · 91 chemistry
45 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 4 different Far Too Loud tracks.
Trailmixing VIP → Bad Intentions · 4A → 4A · same BPM · 92 chemistry
52 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 3 different Far Too Loud tracks.
Trailmixing VIP → Babalugats · 4A → 4A · same BPM · 89 chemistry
41 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 4 different Far Too Loud tracks.
Trailmixing VIP → One · 4A → 4A · same BPM · 93 chemistry
40 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 4 different Far Too Loud tracks.
Trailmixing VIP → Step Back · 4A → 4A · −1 BPM · 92 chemistry
60 of the 840 transitions between these catalogues reach 80 chemistry. Chance would give 4.8. They come from 4 different Far Too Loud tracks.
Trailmixing VIP → Dark City feat. Yves Paquet · 4A → 4A · same BPM · 93 chemistry
51 of the 819 transitions between these catalogues reach 80 chemistry. Chance would give 4.7. They come from 3 different Far Too Loud tracks.
Trailmixing VIP → Rocket Guns Blazin' - Crissy Criss, Malux & Erb n Dub Remix · 4A → 4A · same BPM · 92 chemistry
50 of the 735 transitions between these catalogues reach 80 chemistry. Chance would give 4.2. They come from 6 different Far Too Loud tracks.
Trailmixing VIP → Frontline · 4A → 4A · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Far Too Loud by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Far Too Loud, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Far Too Loud's tracks in our catalog range from 75 to 175 BPM, with a median of 128 BPM. Across 21 tracks, the most common range falls in the 130–135 BPM bucket.
Far Too Loud's tracks are mostly in minor keys (62% minor across 21 tracks). The most common single key is 4A (F Minor) with 5 tracks.
We scored every transition between Far Too Loud's 21 analysed tracks and every track by 12,460 other artists. 712 catalogues clear the bar by more than chance would give, and Culture Shock, Document One, Dub Phizix are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: 600 Years - Skism Remix into Pandemic, 4A to 4A, 91 chemistry.
Far Too Loud sits closest to PIXL, Noisestorm, Feed Me in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Far Too Loud releases spanning 2007 to 2018, with the most tracks from the 2010s.
