Artist profile
Fake Blood is a breakbeat and UK bass producer working within the harder electronic music landscape. Their work engages with the technical and rhythmic traditions of breaks-oriented production.
Compare with another artistPlan a set with Fake Blood tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Fake Blood is a moderate-energy with strong groove and drive and a warm production artist.
Unusually high groove and warmth for Breaks / Breakbeat / UK Bass.
Across 3 analysed tracks, Fake Blood averages 74% groove — groovier than 93% of individual Breaks / Breakbeat / UK Bass tracks — and 55% energy, harder than 56%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
DJs and producers closest to Fake Blood by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Fake Blood, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Fake Blood's tracks in our catalog range from 127 to 128 BPM, with a median of 128 BPM. Across 3 tracks, the most common range falls in the 130–135 BPM bucket.
Fake Blood's tracks are mostly in minor keys (67% minor across 3 tracks). The most common single key is 7A (D Minor) with 1 track.
Fake Blood sits closest to Crookers, The Bloody Beetroots, Boys Noize in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Fake Blood releases spanning 2010 to 2019, with the most tracks from the 2010s.
