Artist profile
Eyes Everywhere is an electronic music artist working in experimental and ambient-influenced electronica. Their practice explores textural synthesis and atmospheric sound design within the broader electronic music landscape.
Compare with another artistPlan a set with Eyes Everywhere tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Eyes Everywhere is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Tech House pocket.
Across 9 analysed tracks, Eyes Everywhere averages 60% groove — straighter than 82% of individual Tech House tracks — and 71% energy, harder than 70%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Eyes Everywhere’s 9 analysed tracks and every track by 12,460 other artists. 138 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
29 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Eyes Everywhere tracks.
17 of the 225 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 5 different Eyes Everywhere tracks.
Ten Inch Press → The Streets · 10A → 10A · +2 BPM · 88 chemistry
20 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Eyes Everywhere tracks.
Ten Inch Press → G Point · 10A → 9A · same BPM · 88 chemistry
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Eyes Everywhere tracks.
New Place → Single Ladies · 4A → 4A · +1 BPM · 89 chemistry
19 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Eyes Everywhere tracks.
New Place → Gonna Be - Extended Mix · 4A → 4A · same BPM · 91 chemistry
19 of the 297 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 4 different Eyes Everywhere tracks.
Ten Inch Press → Accelerator · 10A → 9A · +1 BPM · 85 chemistry
19 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 6 different Eyes Everywhere tracks.
18 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Eyes Everywhere tracks.
Ten Inch Press → You Are · 10A → 10A · +1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Eyes Everywhere by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Eyes Everywhere, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Eyes Everywhere's tracks in our catalog range from 124 to 127 BPM, with a median of 125 BPM. Across 9 tracks, the most common range falls in the 125–130 BPM bucket.
Eyes Everywhere's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 6A (G Minor) with 2 tracks.
We scored every transition between Eyes Everywhere's 9 analysed tracks and every track by 12,460 other artists. 138 catalogues clear the bar by more than chance would give, and Angel Heredia, Goosey, GruuvElement's are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: New Place into Congatrol, 4A to 4A, 92 chemistry.
Eyes Everywhere sits closest to The S-Men, Tuff London, Wheats in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
