Artist profile
Dub Killer is a producer and DJ working in deep dubstep and grime, known for bass-heavy production rooted in UK underground electronic music. Their work emphasizes atmospheric textures and sub frequencies characteristic of the 140 BPM sound.
Compare with another artistPlan a set with Dub Killer tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Dub Killer is a moderate-energy — mostly instrumental artist.
Sits right in the typical 140 / Deep Dubstep / Grime pocket.
Across 11 analysed tracks, Dub Killer averages 51% energy — gentler than 66% of individual 140 / Deep Dubstep / Grime tracks — and 36% groove, straighter than 57%.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
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We scored every transition between Dub Killer’s 11 analysed tracks and every track by 12,460 other artists. 71 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
36 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Dub Killer tracks.
Space_Station → Tokyo Hyaku Synchronicity #76 Night Visitors · 1A → 3A · same BPM · 86 chemistry
31 of the 264 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 9 different Dub Killer tracks.
Stronger → Boondow Bai · 8A → 8A · −1 BPM · 88 chemistry
35 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Dub Killer tracks.
Element - Oddkut Remix → You Are Not a Badman · 7A → 7A · same BPM · 91 chemistry
22 of the 231 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 8 different Dub Killer tracks.
Reflection Dub → B-Side Dub · 8A → 9A · same BPM · 86 chemistry
28 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Dub Killer tracks.
Stronger → Blind Summit · 8A → 7B · same BPM · 90 chemistry
22 of the 231 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 9 different Dub Killer tracks.
Reflection Dub → The Right Essentials · 8A → 8A · +2 BPM · 88 chemistry
29 of the 253 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 10 different Dub Killer tracks.
Reflection Dub → Meknes · 8A → 9A · same BPM · 91 chemistry
32 of the 286 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 9 different Dub Killer tracks.
Stronger → Time for a Change · 8A → 8A · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dub Killer by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dub Killer, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dub Killer's tracks in our catalog range from 70 to 148 BPM, with a median of 140 BPM. Across 11 tracks, the most common range falls in the 140–145 BPM bucket.
Dub Killer's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Dub Killer's 11 analysed tracks and every track by 12,460 other artists. 71 catalogues clear the bar by more than chance would give, and Cam Lasky, Dalek One, ENiGMA Dubz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Space_Station into Tokyo Hyaku Synchronicity #76 Night Visitors, 1A to 3A, 86 chemistry.
Dub Killer sits closest to Enochi, Feonix, Khiva in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
