Artist profile
Doomwork is a tech house producer working within the deeper, more industrial end of the genre. Their sound emphasizes mechanical textures and hypnotic rhythmic frameworks typical of contemporary underground tech house.
Compare with another artistPlan a set with Doomwork tracks scored against the rest of the catalog
Doomwork is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical Tech House pocket.
Across 9 analysed tracks, Doomwork sits within a few points of the Tech House median on groove and energy.
Measured against 25,372 Tech House tracks on 11 August 2026.

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We scored every transition between Doomwork’s 9 analysed tracks and every track by 12,460 other artists. 217 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Doomwork tracks.
One Religion → Vibe Swimming · 2A → 2A · same BPM · 90 chemistry
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Doomwork tracks.
State Of Hype → Trouble · 9A → 9A · same BPM · 88 chemistry
24 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Doomwork tracks.
Cowabunga → About Yourself · 6B → 7A · same BPM · 88 chemistry
31 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Doomwork tracks.
State Of Hype → De ningun lado - Basti Grub Remix B2 · 9A → 8A · −1 BPM · 86 chemistry
25 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Doomwork tracks.
22 of the 270 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 6 different Doomwork tracks.
One Religion → Having Fun · 2A → 2A · same BPM · 88 chemistry
26 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Doomwork tracks.
Cowabunga → Blow Your Mind · 6B → 7A · same BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Doomwork by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Doomwork, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Doomwork's tracks in our catalog range from 120 to 135 BPM, with a median of 124 BPM. Across 9 tracks, the most common range falls in the 125–130 BPM bucket.
Doomwork's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 9A (E Minor) with 2 tracks.
We scored every transition between Doomwork's 9 analysed tracks and every track by 12,460 other artists. 217 catalogues clear the bar by more than chance would give, and Arkady Antsyrev, Dale Howard, Daniel Meister are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: One Religion into Vibe Swimming, 2A to 2A, 90 chemistry.
Doomwork sits closest to Aki Bergen, Alex Niggemann, Julien Chaptal in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Doomwork releases spanning 2012 to 2014, with the most tracks from the 2010s.