Artist profile
DMX Krew is an electronica artist working across ambient, techno, and experimental electronic music. Their output spans releases from the late 1990s onward, characterized by intricate sound design and atmospheric composition.
Compare with another artistPlan a set with DMX Krew tracks scored against the rest of the catalog
DMX Krew is a restrained with strong groove — mostly instrumental artist.
Higher groove but lower energy than typical Electro (Classic / Detroit / Modern).
Across 44 analysed tracks, DMX Krew averages 34% energy — gentler than 89% of individual Electro (Classic / Detroit / Modern) tracks — and 66% groove, groovier than 85%.
Measured against 4,563 Electro (Classic / Detroit / Modern) tracks on 11 August 2026.
Most tracks sit between 66–159 BPM with a median of 127 · predominantly minor keys (68% minor) · most common key: 9A (E Minor) with 4 tracks.
How DMX Krew’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electro (Classic / Detroit / Modern) tempo.
Across DMX Krew's catalog, production has darkened; groove has deepened; warmth has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DMX Krew’s 40 analysed tracks and every track by 12,460 other artists. 107 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 9 different DMX Krew tracks.
Come To Me → Drawn From Memory - I:Cube Remix · 12A → 12A · same BPM · 91 chemistry
20 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 12 different DMX Krew tracks.
27 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 8 different DMX Krew tracks.
Come To Me → Dreamtronika · 12A → 11A · −3 BPM · 89 chemistry
25 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 9 different DMX Krew tracks.
I Love Kevin → Emu III - Birdy Bonus Beat · 3A → 4A · same BPM · 89 chemistry
19 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 7 different DMX Krew tracks.
Come To Me → Alles - Acid Version · 12A → 11B · −2 BPM · 91 chemistry
22 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 10 different DMX Krew tracks.
Come To Me → Lunga Strada - The Pilotwings Bubble Zouk Remix · 12A → 12B · +1 BPM · 87 chemistry
18 of the 960 transitions between these catalogues reach 80 chemistry. Chance would give 5.5. They come from 10 different DMX Krew tracks.
Seriously → Between Form and Matter · 7B → 7B · +1 BPM · 84 chemistry
23 of the 1,360 transitions between these catalogues reach 80 chemistry. Chance would give 7.8. They come from 10 different DMX Krew tracks.
Warm Places → Overclock · 5B → 5A · +3 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DMX Krew by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DMX Krew, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DMX Krew's tracks in our catalog range from 66 to 159 BPM, with a median of 127 BPM. Across 44 tracks, the most common range falls in the 125–130 BPM bucket.
DMX Krew's tracks are mostly in minor keys (68% minor across 44 tracks). The most common single key is 9A (E Minor) with 4 tracks.
We scored every transition between DMX Krew's 40 analysed tracks and every track by 12,460 other artists. 107 catalogues clear the bar by more than chance would give, and Benjamin Fröhlich, Carl Finlow, Dionigi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Come To Me into Drawn From Memory - I:Cube Remix, 12A to 12A, 91 chemistry.
DMX Krew sits closest to EOD, Global Goon, Drexciya in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has DMX Krew releases spanning 1997 to 2023, with the most tracks from the 1990s.