Artist profile
Breaks / Breakbeat / UK Bass producer and DJ.
DJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with DJ QU tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
DJ QU is a restrained with strong groove artist.
Higher groove but lower energy than typical Breaks / Breakbeat / UK Bass.
Across 11 analysed tracks, DJ QU averages 89% groove — groovier than 98% of individual Breaks / Breakbeat / UK Bass tracks — and 34% energy, gentler than 97%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DJ QU’s 11 analysed tracks and every track by 12,460 other artists. 12 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 209 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 4 different DJ QU tracks.
14 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different DJ QU tracks.
Picazón → Shake - Main Mix · 9A → 8A · −2 BPM · 86 chemistry
10 of the 253 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 6 different DJ QU tracks.
Undescribed3(Execute) (Rolando Remix) → Raver · 4A → 4A · same BPM · 86 chemistry
11 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different DJ QU tracks.
A Lucid → Feeling Wrong (Feat. Alya AU) · 7B → 8A · +1 BPM · 84 chemistry
13 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different DJ QU tracks.
13 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 6 different DJ QU tracks.
12 of the 396 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different DJ QU tracks.
In Trance → Mile High Gang · 11A → 11B · +1 BPM · 89 chemistry
16 of the 429 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 3 different DJ QU tracks.
Picazón → Last Summer · 9A → 8A · −1 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DJ QU by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DJ QU, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DJ QU's tracks in our catalog range from 115 to 132 BPM, with a median of 124 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
DJ QU's tracks are mostly in minor keys (64% minor across 11 tracks). The most common single key is 3B (D♭ Major) with 1 track.
We scored every transition between DJ QU's 11 analysed tracks and every track by 12,460 other artists. 12 catalogues clear the bar by more than chance would give, and Aimo, Boddhi Satva, Gel Abril are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Picazón into Muwenda, 9A to 9A, 87 chemistry.
DJ QU sits closest to DJ Jus-Ed, Joey Anderson, Black Jazz Consortium in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
