Artist profile
Disaster Beats is a breakbeat and UK bass producer working within the breaks and bass music tradition. Their work draws on the technical precision and rhythmic complexity characteristic of the genre.
Compare with another artistPlan a set with Disaster Beats tracks scored against the rest of the catalog
Disaster Beats is a moderate-energy — mostly instrumental artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 8 analysed tracks, Disaster Beats averages 55% energy — harder than 56% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Disaster Beats’s 8 analysed tracks and every track by 12,460 other artists. 169 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
51 of the 192 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 8 different Disaster Beats tracks.
Baila El Beat → Like That · 8A → 8A · same BPM · 88 chemistry
77 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Disaster Beats tracks.
Good Times → Baddest DJ · 9B → 9B · +2 BPM · 91 chemistry
54 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Disaster Beats tracks.
Good Times → All The Time - Club Mix · 9B → 9B · same BPM · 92 chemistry
55 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Disaster Beats tracks.
Do It Again → Maxim Ability · 10A → 10A · −2 BPM · 89 chemistry
66 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Disaster Beats tracks.
Good Times → What Christmas Is It · 9B → 9B · +2 BPM · 88 chemistry
53 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Disaster Beats tracks.
Baila El Beat → Don't Let Me Go · 8A → 7A · −2 BPM · 90 chemistry
61 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different Disaster Beats tracks.
Good Times → Operator22 · 9B → 10A · same BPM · 90 chemistry
57 of the 232 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 8 different Disaster Beats tracks.
Good Times → Give Me Your All · 9B → 9B · same BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Disaster Beats by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Disaster Beats, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Disaster Beats's tracks in our catalog range from 66 to 130 BPM, with a median of 129 BPM. Across 8 tracks, the most common range falls in the 130–135 BPM bucket.
Disaster Beats's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Disaster Beats's 8 analysed tracks and every track by 12,460 other artists. 169 catalogues clear the bar by more than chance would give, and Deekembeat, DJ Hero, DJ Icey are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Baila El Beat into Like That, 8A to 8A, 88 chemistry.
Disaster Beats sits closest to Shade K, Lunathics, The Brainkiller in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Disaster Beats releases spanning 2015 to 2016, with the most tracks from the 2010s.