Artist profile
Dirty Culture works in minimal and deep techno, crafting sparse, hypnotic productions that emphasize rhythm and texture over embellishment. The project explores the intersection of stripped-down electronic sound design and dub-influenced spatial processing.
Plan a set with Dirty Culture tracks scored against the rest of the catalog
Dirty Culture is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Minimal / Deep Tech pocket.
Across 11 analysed tracks, Dirty Culture averages 61% energy — harder than 71% of individual Minimal / Deep Tech tracks — and 86% groove, groovier than 60%.
Measured against 22,121 Minimal / Deep Tech tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dirty Culture’s 11 analysed tracks and every track by 12,460 other artists. 840 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
54 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Dirty Culture tracks.
Amsterdam In a Box → The Community · 7A → 7A · same BPM · 91 chemistry
54 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Dirty Culture tracks.
The Long Holiday → Not Real · 4A → 3A · +1 BPM · 91 chemistry
45 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different Dirty Culture tracks.
Amsterdam In a Box → Shade · 7A → 7A · same BPM · 91 chemistry
47 of the 385 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 8 different Dirty Culture tracks.
I'll Lead Them Over To Your Eyes → Plata · 3A → 3A · same BPM · 88 chemistry
59 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Dirty Culture tracks.
Bridges Burned → Boldi · 7A → 7A · same BPM · 91 chemistry
48 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Dirty Culture tracks.
Bridges Burned → Fragments of joy · 7A → 7A · same BPM · 91 chemistry
46 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different Dirty Culture tracks.
The Long Holiday → Speranta · 4A → 3A · +1 BPM · 91 chemistry
44 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 8 different Dirty Culture tracks.
Mad At You - Enzo Leep Rewired Mix → Criminal Trip · 6B → 6B · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dirty Culture by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dirty Culture, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dirty Culture's tracks in our catalog range from 122 to 127 BPM, with a median of 125 BPM. Across 11 tracks, the most common range falls in the 125–130 BPM bucket.
Dirty Culture's tracks are mostly in minor keys (64% minor across 11 tracks). The most common single key is 2A (E♭ Minor) with 2 tracks.
We scored every transition between Dirty Culture's 11 analysed tracks and every track by 12,460 other artists. 840 catalogues clear the bar by more than chance would give, and Aney F., Arkady Antsyrev, Daniel Meister are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Amsterdam In a Box into The Community, 7A to 7A, 91 chemistry.
Dirty Culture sits closest to Nathan G, Karol XVII & MB Valence, Solan in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.