Artist profile
Organic House producer and DJ.
Plan a set with Diass tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Diass is a moderate-energy with strong groove and drive and a bright production artist.
Unusually high brightness for Organic House.
Across 20 analysed tracks, Diass averages 83% groove — straighter than 57% of individual Organic House tracks.
Measured against 9,924 Organic House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Diass’s 20 analysed tracks and every track by 12,460 other artists. 484 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
93 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 12 different Diass tracks.
64 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 11 different Diass tracks.
To the Rhythm → A Moon Away · 10A → 10A · same BPM · 93 chemistry
72 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 15 different Diass tracks.
To the Rhythm → Slide · 10A → 10A · same BPM · 93 chemistry
73 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 14 different Diass tracks.
78 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 15 different Diass tracks.
Come Together → Air Flows - Extended Mix · 9B → 9B · same BPM · 91 chemistry
84 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 15 different Diass tracks.
76 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 15 different Diass tracks.
To the Rhythm → Quaint & Curious · 10A → 10A · +1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Diass by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Diass, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Diass's tracks in our catalog range from 110 to 124 BPM, with a median of 120 BPM. Across 20 tracks, the most common range falls in the 120–125 BPM bucket.
Diass's tracks are mostly in major keys (25% minor across 20 tracks). The most common single key is 8B (C Major) with 4 tracks.
We scored every transition between Diass's 20 analysed tracks and every track by 12,460 other artists. 484 catalogues clear the bar by more than chance would give, and Death on the Balcony, Eli Nissan, Gorje Hewek are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Solo Tu into Verse, 7A to 7A, 91 chemistry.
Diass sits closest to DiMO (BG), Gab Rhome, Solidmind in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
