Artist profile
Deejay Shaolin is a breakbeat and UK bass producer working within the breaks and bass music underground. His work centers on fractured breakbeats and sub-heavy production typical of the broader UK bass continuum.
Plan a set with Deejay Shaolin tracks scored against the rest of the catalog
Deejay Shaolin is a high-energy and a bright production artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 9 analysed tracks, Deejay Shaolin averages 64% energy — harder than 82% of individual Breaks / Breakbeat / UK Bass tracks.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Deejay Shaolin’s 9 analysed tracks and every track by 12,460 other artists. 171 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
52 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Deejay Shaolin tracks.
Beats Bangin → Bad Boy · 9A → 9A · +2 BPM · 90 chemistry
46 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Deejay Shaolin tracks.
Beats Bangin → Equations Of The Universe · 9A → 9A · −2 BPM · 89 chemistry
55 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Deejay Shaolin tracks.
Where Do I Belong → Festivale · 7A → 6A · −2 BPM · 89 chemistry
51 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Deejay Shaolin tracks.
Always On My Mind → Face OFF · 2A → 2A · same BPM · 93 chemistry
52 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 9 different Deejay Shaolin tracks.
Where Do I Belong → Give it Up · 7A → 8A · same BPM · 89 chemistry
52 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Deejay Shaolin tracks.
Beats Bangin → Better Than This · 9A → 10A · same BPM · 91 chemistry
59 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Deejay Shaolin tracks.
Where Do I Belong → Missing You · 7A → 7B · same BPM · 88 chemistry
56 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Deejay Shaolin tracks.
Where Do I Belong → Zonkout - Hankook Remix · 7A → 7A · same BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Deejay Shaolin by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Deejay Shaolin, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Deejay Shaolin's tracks in our catalog range from 128 to 136 BPM, with a median of 130 BPM. Across 9 tracks, the most common range falls in the 130–135 BPM bucket.
Deejay Shaolin's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 5B (E♭ Major) with 2 tracks.
We scored every transition between Deejay Shaolin's 9 analysed tracks and every track by 12,460 other artists. 171 catalogues clear the bar by more than chance would give, and Basstyler, Digital Base, DJ Hero are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Beats Bangin into Bad Boy, 9A to 9A, 90 chemistry.
Deejay Shaolin sits closest to J-Trick in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.