Artist profile
UK Garage / Bassline producer and DJ.
Plan a set with Dean tracks scored against the rest of the catalog
Dean is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical UK Garage / Bassline pocket.
Across 10 analysed tracks, Dean sits within a few points of the UK Garage / Bassline median on energy and groove.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dean’s 10 analysed tracks and every track by 12,460 other artists. 53 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
21 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Dean tracks.
Body → Rock Upon The Mic · 4A → 5A · +3 BPM · 87 chemistry
19 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Dean tracks.
Don't Call Me → Always You · 12B → 12B · +1 BPM · 89 chemistry
20 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Dean tracks.
Heartbreak → All That I Could · 10A → 10A · same BPM · 87 chemistry
19 of the 300 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 7 different Dean tracks.
Ones N Twos → Coming On Strong · 10B → 11A · −1 BPM · 89 chemistry
20 of the 310 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Dean tracks.
Don't Call Me → You're the One · 12B → 1A · −1 BPM · 88 chemistry
31 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Dean tracks.
Don't Call Me → Rush · 12B → 1A · same BPM · 91 chemistry
22 of the 370 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Dean tracks.
Body → Take Me To XTC · 4A → 5A · −3 BPM · 86 chemistry
21 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Dean tracks.
Ones N Twos → Long Time · 10B → 10A · −5 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dean by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dean, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dean's tracks in our catalog range from 130 to 137 BPM, with a median of 134 BPM. Across 10 tracks, the most common range falls in the 135–140 BPM bucket.
Dean's tracks are mostly in minor keys (70% minor across 10 tracks). The most common single key is 9A (E Minor) with 2 tracks.
We scored every transition between Dean's 10 analysed tracks and every track by 12,460 other artists. 53 catalogues clear the bar by more than chance would give, and Bushbaby, Daffy, DJ Q are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Body into Rock Upon The Mic, 4A to 5A, 87 chemistry.
Dean sits closest to Tabber, Dpr Live, Offonoff in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.