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Artist profile

DCLVIII OFC

Melodic House & Techno producer and DJ.

10 tracksMelodic House & Techno
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Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

DCLVIII OFC is a moderate-energy with strong groove and drive artist.

This artistTypical Melodic House & Techno
Signature sound

Sits right in the typical Melodic House & Techno pocket.

How this compares to Melodic House & Techno

Across 10 analysed tracks, DCLVIII OFC averages 53% energy — gentler than 61% of individual Melodic House & Techno tracks — and 79% groove, straighter than 58%.

Measured against 19,201 Melodic House & Techno tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 123–133 BPM with a median of 128 · predominantly minor keys (80% minor) · most common key: 12A (C♯ Minor) with 2 tracks.

BPM spread
120–124
1
125–129
6
130–134
3
Key distribution
1A1B12A12B13A3B4A14B5A5B6A16B7A17B8A18B9A9B10A110B11A11B12A212B

Tracks in catalog

10 total · sortable
Revolution album art
Revolution
DCLVIII OFC
129 BPM · 10A · Progressive House · 57% Builder
Progressive House
129
10A · B min
57%Builder
—
Back to the Future album art
Back to the Future
DCLVIII OFC
128 BPM · 6A · Trance (Raw / Deep / Hypnotic) · 69% Builder
Trance (Raw / Deep / Hypnotic)
128
6A · G min
69%Builder
—
Motor City album art
Motor City
DCLVIII OFC
131 BPM · 1B · Tech House · 51% Sustainer
Tech House
131
1B · B maj
51%Sustainer
—
Hollow album art
Hollow
DCLVIII OFC
127 BPM · 12A · Techno (Peak Time / Driving) · 75% Peak time
Techno (Peak Time / Driving)
127
12A · C♯ min
75%Peak time
—
AI Has No Soul album art
AI Has No Soul
DCLVIII OFC
128 BPM · 12A · Melodic House & Techno · 49% Sustainer
Melodic House & Techno
128
12A · C♯ min
49%Sustainer
—
Brain Exploded - Electro Mix album art
Brain Exploded - Electro Mix
DCLVIII OFC
133 BPM · 8A · Electro (Classic / Detroit / Modern) · 41% Sustainer
Electro (Classic / Detroit / Modern)
133
8A · A min
41%Sustainer
—
Resistance album art
Resistance
DCLVIII OFC
127 BPM · 2B · House · 52% Sustainer
House
127
2B · F♯ maj
52%Sustainer
—
Last Moment album art
Last Moment
DCLVIII OFC
123 BPM · 7A · Progressive House · 42% Sustainer
Progressive House
123
7A · D min
42%Sustainer
—
Come Back album art
Come Back
DCLVIII OFC
128 BPM · 4A · Melodic House & Techno · 50% Sustainer
Melodic House & Techno
128
4A · F min
50%Sustainer
—
Road to Dawn album art
Road to Dawn
DCLVIII OFC
131 BPM · 2A · Techno (Peak Time / Driving) · 46% Sustainer
Techno (Peak Time / Driving)
131
2A · E♭ min
46%Sustainer
—

Missing one of theirs?

We'll add it — the artist is already in the catalogue, so it lands fast

Artists that mix with DCLVIII OFC

We scored every transition between DCLVIII OFC’s 10 analysed tracks and every track by 12,460 other artists. 37 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.

Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.

Cari Lekebusch

14 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.

Road to Dawn → Drum Conductor · 2A → 1B · −3 BPM · 90 chemistry

Dale Howard

13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different DCLVIII OFC tracks.

Motor City → Funk Rider · 1B → 2B · −1 BPM · 87 chemistry

Kevin Saunderson

13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.

Road to Dawn → Grab The Beat · 2A → 3A · same BPM · 87 chemistry

Mason Collective

13 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 5 different DCLVIII OFC tracks.

Motor City → Do With It · 1B → 2A · same BPM · 88 chemistry

Psyk

13 of the 310 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different DCLVIII OFC tracks.

Road to Dawn → Static Drift · 2A → 2A · +1 BPM · 87 chemistry

Quivver

15 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different DCLVIII OFC tracks.

Revolution → Dancing In Dark Rooms - Shifter & Carvell Remix · 10A → 11A · −1 BPM · 87 chemistry

TiM TASTE

20 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.

Road to Dawn → Sleepwalker · 2A → 1B · −4 BPM · 87 chemistry

Yotam Avni

13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.

Road to Dawn → Yamzo · 2A → 3A · −3 BPM · 87 chemistry

Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.

Related artists

Top 15 by similarity

DJs and producers closest to DCLVIII OFC by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DCLVIII OFC, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Works of Intent
100%
4 tracks in catalog · Bass / Club
Ian O'Donovan
60%
31 tracks in catalog · Techno (Peak Time / Driving)
Deetron
34%
51 tracks in catalog · House
Laurent Garnier
32%
20 tracks in catalog · Techno (Peak Time / Driving)
R.O.S.H.
29%
4 tracks in catalog · Techno (Peak Time / Driving)
Jonas Saalbach
26%
48 tracks in catalog · Melodic House & Techno
Diego Infanzon
25%
24 tracks in catalog · Techno (Peak Time / Driving)
Yotam Avni
23%
44 tracks in catalog · Techno (Peak Time / Driving)
Saytek
23%
14 tracks in catalog · Techno (Peak Time / Driving)
Mr. G
22%
56 tracks in catalog · House
Tim Paris
21%
6 tracks in catalog · Indie Dance
Vince Watson
20%
36 tracks in catalog · Deep House
Madben
18%
20 tracks in catalog · Melodic House & Techno
Layton Giordani
18%
46 tracks in catalog · Techno (Peak Time / Driving)
Re.you
17%
70 tracks in catalog · Afro House

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does DCLVIII OFC play at?+

DCLVIII OFC's tracks in our catalog range from 123 to 133 BPM, with a median of 128 BPM. Across 10 tracks, the most common range falls in the 130–135 BPM bucket.

What key are DCLVIII OFC's tracks in?+

DCLVIII OFC's tracks are mostly in minor keys (80% minor across 10 tracks). The most common single key is 12A (C♯ Minor) with 2 tracks.

What artists mix well with DCLVIII OFC?+

We scored every transition between DCLVIII OFC's 10 analysed tracks and every track by 12,460 other artists. 37 catalogues clear the bar by more than chance would give, and Cari Lekebusch, Dale Howard, Kevin Saunderson are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Road to Dawn into Drum Conductor, 2A to 1B, 90 chemistry.

Which artists share an audience with DCLVIII OFC?+

DCLVIII OFC sits closest to Works of Intent, Ian O'Donovan, Deetron in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.