Artist profile
Melodic House & Techno producer and DJ.
Plan a set with DCLVIII OFC tracks scored against the rest of the catalog
DCLVIII OFC is a moderate-energy with strong groove and drive artist.
Sits right in the typical Melodic House & Techno pocket.
Across 10 analysed tracks, DCLVIII OFC averages 53% energy — gentler than 61% of individual Melodic House & Techno tracks — and 79% groove, straighter than 58%.
Measured against 19,201 Melodic House & Techno tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DCLVIII OFC’s 10 analysed tracks and every track by 12,460 other artists. 37 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
14 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.
Road to Dawn → Drum Conductor · 2A → 1B · −3 BPM · 90 chemistry
13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different DCLVIII OFC tracks.
Motor City → Funk Rider · 1B → 2B · −1 BPM · 87 chemistry
13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.
Road to Dawn → Grab The Beat · 2A → 3A · same BPM · 87 chemistry
13 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 5 different DCLVIII OFC tracks.
Motor City → Do With It · 1B → 2A · same BPM · 88 chemistry
13 of the 310 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different DCLVIII OFC tracks.
Road to Dawn → Static Drift · 2A → 2A · +1 BPM · 87 chemistry
15 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 5 different DCLVIII OFC tracks.
Revolution → Dancing In Dark Rooms - Shifter & Carvell Remix · 10A → 11A · −1 BPM · 87 chemistry
20 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.
Road to Dawn → Sleepwalker · 2A → 1B · −4 BPM · 87 chemistry
13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different DCLVIII OFC tracks.
Road to Dawn → Yamzo · 2A → 3A · −3 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DCLVIII OFC by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DCLVIII OFC, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DCLVIII OFC's tracks in our catalog range from 123 to 133 BPM, with a median of 128 BPM. Across 10 tracks, the most common range falls in the 130–135 BPM bucket.
DCLVIII OFC's tracks are mostly in minor keys (80% minor across 10 tracks). The most common single key is 12A (C♯ Minor) with 2 tracks.
We scored every transition between DCLVIII OFC's 10 analysed tracks and every track by 12,460 other artists. 37 catalogues clear the bar by more than chance would give, and Cari Lekebusch, Dale Howard, Kevin Saunderson are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Road to Dawn into Drum Conductor, 2A to 1B, 90 chemistry.
DCLVIII OFC sits closest to Works of Intent, Ian O'Donovan, Deetron in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.