Artist profile
Daniel Stefanik is a techno producer working in peak-time and driving styles. His work emphasizes hypnotic, propulsive sound design rooted in contemporary electronic music.
Compare with another artistPlan a set with Daniel Stefanik tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Daniel Stefanik is a moderate-energy with strong groove and drive — mostly instrumental artist.
Unusually low energy for Techno (Peak Time / Driving).
Across 19 analysed tracks, Daniel Stefanik averages 46% energy — gentler than 88% of individual Techno (Peak Time / Driving) tracks — and 84% groove, groovier than 78%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
How Daniel Stefanik’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Daniel Stefanik's catalog, production has brightened; warmth has receded.
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We scored every transition between Daniel Stefanik’s 19 analysed tracks and every track by 12,460 other artists. 1,520 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
65 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different Daniel Stefanik tracks.
Backyard Soul → Get On Board · 8B → 8A · −1 BPM · 89 chemistry
67 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 12 different Daniel Stefanik tracks.
Lure of the Space Goddess → Do Do · 5A → 5A · −2 BPM · 89 chemistry
89 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different Daniel Stefanik tracks.
Lure of the Space Goddess → Desire · 5A → 5A · −1 BPM · 93 chemistry
63 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 14 different Daniel Stefanik tracks.
Lure of the Space Goddess → 6am · 5A → 5A · −1 BPM · 91 chemistry
63 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different Daniel Stefanik tracks.
Lure of the Space Goddess → Tandilenses · 5A → 5A · −4 BPM · 89 chemistry
63 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different Daniel Stefanik tracks.
Fragments of Her → It's True - Mihai Popoviciu Remix · 10B → 10A · same BPM · 90 chemistry
70 of the 665 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 15 different Daniel Stefanik tracks.
Lure of the Space Goddess → From Above · 5A → 4A · +1 BPM · 90 chemistry
67 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different Daniel Stefanik tracks.
Backyard Soul → Vibewise · 8B → 8B · +2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Daniel Stefanik by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Daniel Stefanik, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Daniel Stefanik's tracks in our catalog range from 66 to 134 BPM, with a median of 126 BPM. Across 19 tracks, the most common range falls in the 125–130 BPM bucket.
Daniel Stefanik's tracks are mostly in minor keys (74% minor across 19 tracks). The most common single key is 5A (C Minor) with 4 tracks.
We scored every transition between Daniel Stefanik's 19 analysed tracks and every track by 12,460 other artists. 1,520 catalogues clear the bar by more than chance would give, and Arkady Antsyrev, Christian Burkhardt, Daniel Meister are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Backyard Soul into Get On Board, 8B to 8A, 89 chemistry.
Daniel Stefanik sits closest to Sven Tasnadi, Mathias Kaden, Juno6 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Daniel Stefanik releases spanning 2006 to 2025, with the most tracks from the 2010s.
